Sunday, 30 December 2018

Panto Review - SLEEPING BEAUTY, GEORGIAN THEATRE ROYAL, RICHMOND


IT is not just the cast who take centre stage in this year’s pantomime of Sleeping Beauty, the theatre is just as much part of the story. Written and produced by Clare Allen, the theatre’s Chief Executive, the set is a brilliant mirror image of the theatre’s auditorium. This version of Sleeping Beauty, set in a theatre moves the story into the actual history of the theatre itself. The cast play actors or in the case of the Maleficent, Nick O’Connor, an evil theatre reviewer. Princess Aurora here, sleeps for 130 years, before the theatre is rediscovered by a local teacher and a group of children researching the building. It is an excellent insight into the history of the building for those who aren’t aware of its past.
 
This year Gary Bridgens is back, this time as director as well as Queen Tryphosa. His
style is perfect for the intimate theatre space. He gives the feeling he is talking to you personally and quickly creates the friendly rapport required for a fantastic family friendly show. Another link back to the history of the theatre is in the names which includes King Samuel, Ross Dean, who is constantly under the shadow of Queen Tryphosa. Freya Mawhinney returns, this year as Dolly Partridge, here she demonstrates her fantastic vocal talent and is certainly one to watch out for in the future. On the night I attended the evil 


Maleficent didn’t receive the required boos, perhaps it didn’t feel right for an audience with theatre reviewers to boo! Maleficent’s son, Connor Hind, is the wannabe actor who also plays Sleeping Beauty’s hero Hercules, resulting in great comedy moments when they both need to be on stage at the same time. Princess Aurora, Victoria West, brings innocence to the role. Finally, The Young Company, of which there are three teams, bring an added sparkle to the proceedings.

The music as ever is superb as they change the lyrics to fit the story, with my favourite being Dolly Parton’s ‘Jolene’ changed to ‘I’m Mean’ sung by Maleficent.
Where else could you get a panto that is full of history, laughs, music, Gary Bridgens and Tunnocks Teacakes. The Georgian Theatre Royal at Richmond of course.




Panto Review - ALADDIN, DARLINGTON HIPPODROME



The magic of panto arrived at Darlington Hippodrome through QDOS Entertainment’s production of Aladdin. This has to be one of the best pantomimes I have seen in Darlington. The story of Aladdin is well known and QDOS have been faithful to the story, but they also add the magical touch through their telling of the story.

This may be the fourth panto this season, for me, with the predictable track from The Greatest Showman and a burst of Baby Shark, but this show has so much more. It really comes alive when ‘In Darlo’ to the tune of Petula Clarke’s ‘Downtown’ livens up the audience as they relate closely to the landmarks mentioned.

Louie Spence brings his own unique style to the proceedings and isn’t afraid to be part of the joke, he is clearly up for a good laugh and doesn’t take himself seriously. He does get very close to the mark for adult humour, but was loved by the audience for his twists and twirls.

The Darlington girl returning with the amazing voice is Zoe Birkett as Prince Jasmine. She is a joy to watch and it is fantastic that she returns to her home town again.


Robin Askwith as Ebanazar personifies evil. He is my favourite baddie character of the season so far. Empress Ming, who gets her words mixed up, is inspirational and hilarious.   Carl Douglas as Aladdin brings all the required charm and the young dancers from Joanne Banks Dancers were exceptional. There is also the outstanding band of Chris Pugh, Peter Brent and Sophie Hastings.

After all that, the best is yet to come in the pairing of Eric Potts as Window Twankey and Liam Mellor as Wishee Washee who are the best combination I have seen in recent years. The routines they create are not going to be mentioned here as they need to be seen to be believed.

That was a cracking show!



Panto Review - PETER PAN, PLAYHOUSE, WHITLEY BAY



BLUE Genie entertainment have created something special over the years in Whitley Bay, which is why it is always a joy to have this venue on my panto list. Though of course the real reason I and many others return is because of Steve Walls. He has made this theatre his own during panto season, and where other theatres that use the same cast each year can become a little stale, that can’t be said of Whitley Bay with Steve Walls playing Smee ‘this year.’ His quick one liners and instant rapport with the audience, means you know you are in good hands for the entire show. This is by no means a one man show Producer Gary Telfer and Writer / Director Paul Ferguson know just how to create the perfect panto and it is certainly a team effort.


Antony Costa, from boy band Blue, plays Peter Pan, refreshingly Antony knows exactly how to play the panto baddie and works the audience perfectly, delighting the audience with the Blue mega mix finale. The other baddies were made up, unusually of the dame - Pirate Patsy, Daniel Mawston, who is wonderfully over the top, and Smee’s sidekick of Starkey, Ben Hanson, who makes the perfect partner for Steve.


On my visit Michael and John Darling were played by Lucas Melrose-Steel and Zachariah Hardy, who made up the Blue Team, both put in tremendous performances and I am sure we will see them on stage again in professional productions. Peter Pan, Sam Ebenezer, is full of energy and Jessica Pease as Wendy produces just the right amount of innocence for the role.

Choreography is slick and sharp, with the wonderfully talented dancer Mary J Proud returning and also playing Tiger Lily.

This show is everything you would expect from panto with just a little bit more and yes the bench is back!





Tuesday, 11 December 2018

Panto Review - CINDERELLA - PEOPLE'S THEATRE, NEWCASTLE




The People’s Theatre have taken Cinderella, one of the most well-known pantomimes and with a few twists created the perfect panto for the Christmas season.

We join Fairy Moonglow, Lynn Huntly, who invites us to Heatonville to share the story, but we are soon interrupted by her sister, her deliciously evil sister Countess “Mother” Malady, Cal White, who steps in with plans to ruin any chance Cinderella, Georgia White, may have with the Prince. In Heatonville Count Harry Hardup, Roger Liddle, returns home with a new wife – the evil Countess and two step sisters for Cinderella, Calpolla and Covonia, Stephen Waller and Dan Dickinson. The sisters and the Countess soon join forces to bully Cinderella. The Prince, Nick Warneford, and Dandini, James Hardy, undergo the usual swap to allow the Prince to meet Cinderella and fall in love. Of course, Buttons holds the whole thing together not only through his interaction with the audience but also helping Fairy Moonglow defeat evil. Every time Buttons came on stage his energy was felt throughout, working incredibly hard, I just hope his voice lasts the week. Comic timing throughout was superb, especially from the Ugly Sisters who were one of the best pairings I have seen for a long time.

This pantomime also has the largest cast I have ever seen in pantoland with 5 excellent dancers from Newcastle High School for Girls and Team B Juniors and Babes from Jill Errington School of Dance which had over 50 children filling the stage.

Cinderella runs until 16th December 2018, grab your tickets before they run out.

Sunday, 2 December 2018

Theatre Preview - DARLINGTON HIPPODROME LAUNCHES SPRING 2019 SEASON

HIPPODROME LAUNCHES EXCITING 
SPRING 2019 SEASON 


With winter on the horizon and thoughts turning to Christmas, Darlington Hippodrome launches an exciting Spring 2019 season of productions.
With the annual family festive pantomime, Aladdin, about to start its run of 50 performances, thoughts turn to Spring and an exciting season of productions at Darlington Hippodrome and the adjoining Hullabaloo.
Week-long shows
The first week-long show following pantomime is another smash-hit direct from London’s West End – The Simon & Garfunkel Story (Tuesday 29 January to Saturday 2 February). Now seen by over a quarter of a million people across the world, this production is a critically-acclaimed concert style theatre show about two young boys from New York who went on to become the world’s most successful music duo.
Ian Kelsey
Fans of the court-room style drama will love The Verdict (Tuesday 5 to Saturday 9 February) starring Ian Kelsey as a washed-up, veteran lawyer (and alcoholic) who is presented with a seemingly open and shut case. Instead, Kelsey’s character, Frank Galvin, takes the case and the entire legal system to court. A stunning thriller made famous by the five-times Oscar-nominated film with Paul Newman and James Mason.


Chris Fountain
Paul Nicholls

Paul Nicholls (EastEnders) and Chris Fountain (Hollyoaks) star in a brand new stage adaptation of the classic film Rain Man (Monday 18 to Sat 23 February). When self-centred salesman Charlie discovers that his long-lost brother Raymond, an autistic savant with a genius for numbers, has inherited the family fortune, he sets out to get ‘his half’.







Funny man Nick Hancock stars in the world premiere tour of a brand new British farce Octopus Soup (Tuesday 26 February to Saturday 2 March). Insurance consultant Seymour is in the last chance saloon and everything rests on this one important conference call. What could possibly go wrong? Enter Marvin, a bungling burglar with bad knees.
Our younger audiences will be enthralled by Tom Gates – Live on Stage (Wednesday 6 to Saturday 9 March). Tom is doing everything possible to stay out of trouble but somehow he has three sad faces on the school achievement chart! From the award-winning Birmingham Stage Company, producers of Horrible Histories, comes this world premiere production – an exciting and hilarious new adventure that sends Tom’s world spinning.
Jonathan Wrather
Jonathan Wrather (Emmerdale, Coronation Street) heads the cast of the Oscar Wilde classic The Picture of Dorian Gray (Tuesday 16 to Saturday 30 March). In a society obsessed with youth and beauty, Dorian Gray is given the chance to keep his looks forever. But at what cost? This bold new production of Oscar Wilde’s classic novel celebrates his wonderful language and will appeal to audiences young and not so young and keep you on the edge of your seats.

Following recent successes with Priscilla Queen of the Desert and Chitty Chitty Bang Bang, DarlingtonOS will be putting on the style with the smash-hit song and dance spectacular Top Hat (Wednesday 3 to Saturday 13 April).
Gwyneth Strong
Who doesn’t love a classic who-dunnit – and there’s none finer that The Mousetrap (Monday 29 April to Saturday 4 May). The Mousetrap has kept audiences guessing for so long, becoming the longest-running show of any kind in the history of theatre. The scene is set when a group of people gathered in a country house cut off by the snow discover, to their horror, that there’s a murderer in their midst. Who can it be? This production stars Gwyneth Strong (Only Fools & Horses, EastEnders).
Bill Kenwright’s production of Tim Rice and Andrew Lloyd Webber’s sparkling family musical Joseph and the Amazing Technicolour Dreamcoat returns to Darlington (Tuesday 21 to Saturday 25 May). Joseph was the first of Lloyd Webber and Rice’s musicals to be performed publicly. Now seen by an estimated 26 million people, and counting, Joseph continues to enthral audiences around the world.
Looking a little further ahead, Buddy – The Buddy Holly Story is coming to Darlington (Tuesday 17 to Saturday 21 September). Forget feel good, Buddy is a feel great show! Experience the drama, passion and excitement as a cast of phenomenally talented actors and musicians tell Buddy Holly’s story, from his meteoric rise to fame, to his final legendary performance at The Surf Ballroom in Iowa.
Shorter-run shows

Sandi Toksvig
Spring 2019 brings a wealth of one-night and short run shows at Darlington Hippodrome. Welcoming in the new year with a laugh is Sandi Toksvig and her one-woman comedy show (Friday 11 January). Expect tall stories, fascinatingly funny facts, really silly jokes, a quiz and a quick-fire Q&A session. Don’t expect tap-dancing, leotards or forward rolls. On Friday 12 January the Roy Orbison and Travelling Wilburys Experience take you on a journey through the story of the Wilburys with music, narrative and big-screen action. Capturing the excitement, energy and charisma that have made Rod Stewart a true rock icon, Some Guys Have All The Luck will have all Rod’s classic hits and more on Tuesday 15 January followed on Wednesday 16 January by the Illegal Eagles, the world’s number one Eagles tribute act.
On Thursday 17 January join Royal Northern Sinfonia for music to get everyone dancing! Among the programme young sax star Jess Gillam plays showpieces with a Latin flavour. Royal National Sinfonia is the UK’s only full-time chamber orchestra, and the leading professional orchestra in the north east. Calling all Bingsters! Bing and his friends are coming to Darlington in the first ever Bing Live stage show on Saturday 19 and Sunday 20 January. Join Bing, Sula, Coco and Pando as they find out how to tell stories by pretending, dressing up and singing songs.
Ben Fogle
On Monday 21 January Steve Steinman’s Vampires Rock returns to Darlington but this time with very special guest Sam Bailey. Throwing just the right amount of fun and humour into his scripts, Steinman ensures the audience are roaring with laughter and wanting more. Direct from London’s West End Fastlove is the Uk’s finest George Michael tribute show and is coming to Darlington on Tuesday 22 and Wednesday 23 January followed closely by the Russian State Ballet and Orchestra of Siberia with four classics – Giselle, Cinderella, The Nutcracker and Swan Lake from Thursday 24 to Sunday 27 January.
Award-winning comedian Adam Kay takes to the Hippodrome stage on Sunday 10 March sharing entries from his diaries as a junior doctor. Ben Fogle will be in Darlington on Monday 11 March with his Tales from the Wilderness. The much-loved TV adventurer will recount his thrilling tales. Hold on to your hats – The Dreamboys are coming to town on Thursday 14 March (strictly for 18+ only).
For lovers of smooth jazz, The Ronnie Scott’s All Stars (Friday 15 March) combine world-class live jazz alongside rare archive photos and video footage. Let them take you on a guided musical tour of jazz bars and jook joints. A joyous new stage show celebrating the music of Tina Turner, What’s Love Got To Do With It features Tina’s greatest hits performed by the amazing vocal talent of Elesha Paul Moses. Our spring brochure cover star Brendan Cole brings his all-new show to Darlington Hippodrome on Sunday 17 March. Brendan Cole – Show Man guarantees you a night of beautiful ballroom magic and high energy Latin passion.
Back by popular demand the ever popular stage show That’ll Be The Day is coming to Darlington on Monday 18 and Tuesday 19 March, incredible live performances blending solid gold hits from the 50s, 60s and 70s. Never off the TV, Dr Michael Mosley will be sharing his thoughts on health, fitness and general well-being on Wednesday 20 March. Your chance to say farewell to The Searchers on Thursday 21 March as they embark on their farewell tour which will feature all their greatest hits as well as many album tracks and anecdotes about their career.
For lovers of everything extinct, Dinosaur World Live comes to Darlington from Friday 22 and Sunday 24 March with a special meet and greet after the show – a chance to get up close to your new dinosaur friends. Steeleye Span has become one of the most enduring stories in the folk world led by the iconic Maddy Prior. They visit Darlington on Monday 25 March as part of their 50th Anniversary Tour.
Bobby Davro is back playing Smee in the Easter pantomime, Peter Pan, on Sunday 14 and Monday 15 April. Also starring will be Dani Harmer as Wendy and Lloyd Warbey as Peter Pan. For some close harmony nostalgia there is none better than Walk Right Back which tells the story of the most successful duo of all time – The Everley Brothers. Follow the brothers’ story from their rise to fame, their decade-long feud to the glorious reunion that gave them back to the world, and to each other (Tuesday 16 April). Music of a different nature is celebrated on Wednesday 17 April with Quadrophenia – The Album Live. Eight-piece band The Goldhawks deliver a stunning live performance of the Who’s smash hit concept album backed with exciting large-screen projections.
Award-winning Story Pocket Theatre combine physical theatre, puppetry and glorious storytelling to bring David Baddiel’s AniMalcolm to the stage on Thursday 18 and Friday 19 April. Malcolm doesn’t like animals which is a bit of a problem as his family loves them. On a school trip to a farm he begins to understand animals more deeply than anyone. Rumours of Fleetwood Mac return on Tuesday 23 April to celebrate 50 years of the very best of Fleetwood Mac, including a special blues set paying tribute to the Peter Green era. On Wednesday 24 April the London Festival Opera presents A Celebration of Opera, a programme of passion, drama and humour with superb singing, elegant costumes and beautiful set with distinguished singers from the Royal Opera, English National Opera and Glyndebourne.
The all-singing, all-dancing musical comedy Menopause The Musical roars into Darlington from Thursday 15 to Saturday 27 April. Starring Maureen Nolan, Cheryl Ferguson, Rebecca Wheatley and Hilary O’Neil, Menopause the Musical is packed full of one-liners about night-sweats, hot flushes and memory loss backed by a pounding soundtrack of 60s, 70s and 80s pop classics.
Musical theatre is celebrated with Stars of Les Miserables In Concert on Sunday 5 May - The Barricade Boys are back on the road with this five-star international tour. Join the greatest 60s party in town with Summer of Love on Tuesday 14 May including over 40 hits from one of music’s most influential eras. Another party night on Wednesday 15 May with Seven Drunken Nights – a celebration of Ireland’s favourite sons the Dubliners. A guaranteed evening of humour and craic. Comedy lovers can look forward to a night of Dave Spikey – Juggling on a Motorbike on Thursday 16 May. Dave looks back on his incredible journey from working class lad to much loved comedy performer, presenter and writer via Phoenix Nights and 8 out of 10 Cats.
Dave Spikey
For the younger theatre fans Zog will be an instant hit from Friday 17 to Sunday 19 May. Zog comes to life in Mike Shepherd’s magical adaptation which lifts the classic children’s book from the page to create a real and fantastical world on stage.
Music royalty will grace the Hippodrome stage on Sunday 26 May when Marty Wilde, Eden Kane, Mike Berry, Nancy Ann Lee and The Wildcats present Solid Gold Rock ‘n’ Roll with its fusion of sound and rhythm that shaped the style of music for a generation. On Tuesday 28 May Steve Steinman brings his brand-new production – Anything For Love with special guest star Lorraine Crosby, the female lead vocalist on Meat Loaf’s Grammy Award winning song I Would Do Anything For Love (But I Won’t Do That). Music of a softer nature can be enjoyed on Wednesday 29 May as Elkie Brooks comes to Darlington Hippodrome with her powerhouse blues vocals and trademark impossibly long notes that leave you mesmerised. After a successful debut tour, Dear Zoo, the timeless children’s book, returns to the stage and is dropping in to Darlington on Thursday 30 and Friday 31 May.
La Voix
Star of Ab Fab The Movie and Britain’s Got Talent semi-finalist La Voix presents her unique style of entertainment on Tuesday 18 June. Expect immaculate impressions and amazing vocals – a feat for the senses, an evening of frills, frocks and fun. Those Terrible Tudors and Awful Egyptians are back with Horrible Histories from Thursday 20 to Sunday 23 June. Historical figures and events will come alive on stage and hover at your fingertips. Michael, Starring Ben is a jaw-dropping and magical tribute to the King of Pop Michael Jackson with the amazing Ben Bowman on Monday 8 July. For an evening of pure entertainment, fun and feathers then look no further than The Ladyboys of Bangkok on Friday 6 September. Now seen by over 3 million people it’s cheekier, funnier and as spectacular as ever.
For fans of The Who, Tommy – The Album Live sees a return of the band The Goldhawks with another amazing live performance of a classic studio album on Saturday 7 September. The Aretha Franklin Songbook: Respect is an amazing live concert that pays tribute to the Queen of Soul on Monday 23 September while on Saturday 28 and Sunday 29 September In The Night Garden Live is a brand new stage show. Lasting just under an hour this is a perfect introduction to theatre for younger audiences featuring all their favourite characters from the TV show.
At the Hullabaloo
There is a fabulous season of performances lined up in the beautiful 170 seat studio theatre The Hullabaloo adjoining Darlington Hippodrome. On Saturday 12 January Jason Cook takes to the stage with his own brand of comedy. On Sunday 13 January there is a very special opportunity to introduce the very youngest members of your family to classical music with Baby Sinfonia, a 45 minute classical treat with members of Royal National Sinfonia suitable for babies up to 18 months. TV antiques expert David Harper will be in Darlington on Tuesday 15 January with a live and unscripted talk featuring funny behind the scenes anecdotes – you can even bring in your own antique for evaluation. There’s a double bill of comedy on Sunday 3 February with Laruen Pattison and Brennan Reece with an age guidance of 16+. Join Britain’s leading political comedian Matt Forde as he presents Brexit Through The Gift Shop on Tuesday 19 February.
Author and broadcaster Tim Marshall will be giving a talk about his new book Divided: Why We’re Living in an Age of Walls on Monday 25 February. One of the most enduring TV classics is celebrated in a new stage production Dad’s Army Radio Play. Two actors play 25 characters in this brilliant staging of three classic radio episodes on Thursday 28 February. Where There’s Muck There’s Bras is performed by stand-up poet Kate Fox on Friday 1 March, a comical and thought-provoking show about northern women. A comedy fest is on the cards on Saturday 20 April featuring BBC’s Angelos Epithemiou and Channel 4’s Barry from Watford with a guest appearance from double act Barney Fishwick and Will Hislop. Duos come and duos go and some nurture and fine tune their art. Husband and wife team Kathryn Roberts and Sean Lakeman bring their own folk based music to the Hullabaloo on Tuesday 30 April. Armed with his usual swagger and playful sense of mischief, join Tom Stade on Friday 3 May.
Additional shows are regularly being added to the Darlington Hippodrome schedule. To ensure you keep up to date please visit the website.
Tickets for this new season go on sale from 10am on Monday 3 December.
For further information and to book contact the box office on 01325 405405, or visit www.darlingtonhippodrome.co.uk to choose your own seats online. Follow us on Facebook, Twitter and Instagram.

Sunday, 25 November 2018

Theatre Review - CILLA THE MUSICAL - DARLINGTON HIPPODROME




CILLA The Musical is based on the hit TV series starring Sheriden Smith. It follows the life of Cilla as a teenage girl, like many girls then and now dreaming of a life of fame as a singer. Cilla of course remarkably managed this and more, by the age of 25 she was a singer and TV star.
The star of the show is undoubtably Kara Lily Hayworth who has achieved the well-known nasally tones of Cilla and sings to perfection. She takes us on the incredible journey from her friendship with The Beatles as a shy teenager through her relationships with her eventual husband Bobby Willis, Alexandra Patmore, and her manager Brian Epstein, Andrew Lancel.  



The Beatles are brilliantly portrayed by Bill Caple as Ringo Starr, Michael Hawkins as John Lennon, Alex Harford as George Harrison and Joe Etherington as Paul McCartney. While Alexandra Patmore grows into his role as her boyfriend. I loved the performance from Andrew Lancel, who is most well known from his role in Coronation Street. Cilla’s parents Big Cilla, Jayne Ashley, and John, Neil McDonald, gave a different perspective, as the proud parents of the fact she works in an office and aren’t interested in her search for stardom.

With the 1st half ending with Cilla’s performance of ‘Anyone Who Had A Heart’ you can’t wait to get back for the 2nd half. I was only held back by the 80 minute length advertised for the 2nd half, 20 minutes longer than the 1st half. The music and acting was amazing, I just wished it was shorter.

For anyone who loved Cilla and the 60’s scene this show will hit the mark.

Thursday, 15 November 2018

Theatre Review - THE FULL MONTY - DARLINGTON HIPPODROME


The award-winning play of The Full Monty is probably just as well known as the film which it based on. I am yet to see the film, but am aware of certain scenes and the play certainly delivers for those who know the film.

Set in Sheffield two unemployed men see a chance to make some money after seeing how popular The Chippendales are in the Working Men’s Club and enlist the help of four other unemployed men to help them go The Full Monty, regardless of their body shape and size.


Gary Lucy as Gaz has certainly made this role his own and has an excellent relationship with his son Nathan, Fraser Kelly. Janes Redmond as Guy and Joes Gill as Lomper are excellent throughout, both very different characters, Guy full of confidence compared to the timid and depressed Lomper, they share one of the more tender scenes through a discussion on their sexuality. Andrew Dunn plays the pompous Gerald, Kai Owen plays Dave, who struggles the most with his body image and Louis Emerick as Horse has other issues!

This isn't just a comedy play, themes of sexuality, depression and unemployment all feature heavily. The creative set transforms seamlessly between scenes designed by Robert Jones, Slick choreography from Ian West all held together by director Rupert Hill. 

With familiar scenes from the film including the dole queue and of course The Full Monty, This is certainly a night of Hot Stuff!

Sunday, 11 November 2018

Theatre Preview - INTERVIEW WITH KYRA LILLY HAYWORTH PLAYING CILLA AT DARLINGTON HIPPODROME



WHAT’S IT ALL ABOUT, KYRA?


The smash-hit musical Cilla is on its way to Darlington Hippodrome later this month, we catch up with actor Kara Lily Hayworth who talks to us about playing a British entertainment icon.

What can you tell us about Cilla The Musical?
In essence, it’s a beautiful love story. It follows Cilla Black’s rise to fame, but underneath it’s about her relationship with Bobby and their journey. You watch how they progress and how Cilla becoming a star affects their relationship. The audiences love all the music. All of Cilla’s hits are in there – Anyone Who Had A Heart, You’re My World, Alfie, Step Inside Love – but there’s also early Beatles songs as well, Gerry And The Pacemakers, The Mamas & The Papas. But it’s not a jukebox musical. It’s a play with truly fantastic songs woven into it.

What’s it like playing Cilla Black?
She’s an absolute icon. I sing 18 songs in the show, so it’s tough vocally, but I feel incredibly lucky to be able to play her. When people come to stage door and share their memories of her, it reminds me how special it is and how much it means for me to portray someone who had such an influence on their lives.

Is it challenging playing someone who is so well-known and cherished?
The hardest thing to get across is that magic she had that made audiences fall in love with her. That’s what she was so good at; whatever she was doing, people just fell in love with her. That’s the hardest thing.
The trick is trying to capture her essence. I’m not doing an impersonation, but I’ve adopted certain mannerisms. It’s my own take on it. Hopefully I’ve included little things that remind people of her without mimicking her.



You premiered the show in Liverpool, Cilla’s home town. How was that?
It was incredible. I was extremely nervous playing a Liverpudlian icon in Liverpool. I didn’t know if they’d like the show or if they’d like me. I sing Anyone Who Had A Heart, her first number one hit, at the end of the first act. At that point, everyone stood up and everything just stopped. That was an extraordinary moment that I won’t forget. It’s always a real high point in the show. It’s the first time the audience sees her really become a star.

How do you find touring with the show?
Touring’s great. Going to a different theatre every week with different audiences keeps the show fresh. This is the first time I’ve toured a production for this long, so it’s been a new experience. But it’s lovely because you become a real family with the cast.



Is there anywhere you’re particularly looking forward to taking the tour?
We’re going to New Brighton. That will be a really good one, because that’s the closest we’ll have been to Cilla’s home since we opened at the Liverpool Empire. And we’re going to Bromley, which is the closest theatre to London, so I’ll have lots of family and friends coming to those dates.

Did you ever meet Cilla?
I did, when I was about 10. I played Annie opposite Paul O’Grady and he was one of Cilla’s friends. I met her in a clothes shop and told her that I’d worked with Paul and I was going to be a performer when I was older. She told me it was a tough industry. I’ve still got her autograph at home in a frame.

She was right, of course. It’s mad how things can change so quickly. A year or two ago, I struggled to even get auditions. I left drama school in 2010 and didn’t get any parts for two or three years. I signed with a different acting agent and everything changed.

It was my agent who thought I’d be good for this role, but I didn’t think I’d have a chance at open auditions. A friend of mine was going, so we went together to just see what might happen. It just goes to show, you have to believe that things happen for a reason. The jobs you don’t get mean you’re available for the perfect role that comes along next. Like this.

Cilla The Musical runs at Darlington Hippodrome from Tuesday 20 to Saturday 24 November.

For more information or to book call 01325 405405 or visit www.darlingtonhippodrome.co.uk

Theatre Preview - The Full Monty Interviews - Darlington Hippodrome



FULL MONTY CAST GIVE THE 
NAKED TRUTH BEHIND THE SHOW


It may be the last ever UK tour of this particular production but the story of the Full Monty is one that keeps on giving and comes to Darlington Hippodrome for a week-long run from Monday 12 November.

Vicky Edwards managed to get the naked truth from several of the cast members prior to their visit to Darlington.

“It is special,” insists Gary Lucy (famous for playing Luke Morgan in Hollyoaks as well as for roles in EastEnders, The Bill, Footballers’ Wives and as a Dancing on Ice winner) who plays Gaz. Having starred in almost every ‘Monty’ tour to date, he knows just how readily people fall for this funny, poignant and bitter-sweet story.

“People really love it. From proper theatregoers in Cambridge to Blackpool hen parties, everyone has an absolute ball. It is a gift of a role for me.”

Louis Emerick, recently on our screens in Coronation Street, concurs. “This is the third tour for me and it really is a special show. It is a great story that still resonates now. They are also a lovely company to work and travel with.”

Telling the story of six out-of-work steelworkers from Sheffield who put on a strip show to raise much-needed cash, the film went on to become one of the most successful British movies of all time. Writer of both the screenplay and the stage script, Simon Beaufoy is also the talent behind The Hunger Games: Catching Fire and Slumdog Millionaire. Joe Gill (familiar to Emmerdale viewers as Finn Barton) believes the play’s credibility is key to its success.


“It is my first time on the show [he plays Lomper] but everyone knows how iconic it is and what a culture it has, so they come knowing that they will enjoy it.”

Another ‘Monty’ virgin, James Redmond has done lengthy stints in Hollyoaks and Casualty but has never toured in a stage play before. However, that doesn’t stop him recognising the show’s broad appeal.

“We can all relate to it and it is very moving. The poverty these guys lived in; Maggie Thatcher encouraged them to buy their council houses and then closed the steelworks so they were desperate. It’s a heart-warming story that still feels relevant today. Because half of us voted remain and half voted leave none of us know what the future holds.”

Liz Carney who plays Jean is keen to chip in. “It appeals to men and women of all ages and from all classes. The girls in the play tell their own story, so audiences connect with them too.”

Playing Mandy, Amy Thompson voices her agreement, adding: “And the thing that I find really special is that it gets people coming to the theatre who haven’t been before. “

Well known for roles including Rhys in Torchwood and Pete in Hollyoaks, Kai Owen returns to the role of Dave and admits that he loves the audience reaction.

“They may start shouting at the start, but this isn’t Dream Boys or The Chippendales and as soon as they realise that it is a story they settle down. It is so well written that they get immersed and carried along until the end. Then everyone goes crazy!”

A play that covers a huge range of modern issues – as well as unemployment themes include financial insecurity, mental health, divorce, sexuality and body image – the mix of comedy, pathos, warmth and sadness is perfectly balanced.



And then there are the bums and willies. There’s no way to pussy foot around the subject of the boys getting naked, so I ask outright: Is it absolutely terrifying?

“I’m sure we’ll break Joe and James in gently,” says Louis with a naughty grin, recounting the first day in 2014 when he first had the ‘undress’ rehearsal.

“We had only been rehearsing for three days and we hardly knew each other. But we did it, although we all looked each other firmly in the eye! From then on it was pretty easy. It’s much more of a man’s story in many ways and it is great when you see blokes in the audience.”

“It is done really well on stage, although you do have to trust the lighting technicians, and some venues do have slow-closing curtains,” chuckles Andrew Dunn, best known for playing Tony in TV’s Dinnerladies.

Talking of different venues, the tour schedule is so full that it gives me motion sickness just reading it.

“I’ve been on stand-up circuit for nine years and I do like to explore and learn about where I am. I am looking forward to it,” declares James, while Andrew admits that he hates the rigmarole of searching for digs. Joe, nodding his head, chimes in: “It’s my first tour and finding accommodation is more daunting than getting my kit off!”

“I’m not a veteran tourer like Andrew, and it is difficult in the sense that I have three young children and I do like my own bed. That said, it’s great to absorb different towns and cities,” says Louis, explaining that he and Andrew generally share digs, trying to book places that will give them a daily walk into the theatre.

While most of the cast who have previously played Darlington are looking forward to the newly revamped theatre, Amy has already had a sneak preview, having toured there in a different show only recently. “It is absolutely fantastic!” she enthuses, adding: “and the dressing rooms are incredible!”

The youngest member of company, sixteen-year-old Fraser Kelly is an old hand, having already been in the production previously. Telling me that they have been blessed with some excellent children playing the role of Nathan, the returning cast are unanimous that Fraser has something special. He in turn can’t wait to embark on his first tour without needing to be formally chaperoned. Over the chorus of fond banter and mickey taking, he says: 

“I can’t wait to start. It is a privilege working with such great people and great actors.”

Ah, but are they great role models?

“No! He’s our role model” says Kai, as they all collapse into fits of giggles.

This final tour is directed by Rupert Hill. Best known as Coronation Street’s Jamie Baldwin, he is a previous Full Monty cast member – something he feels gives him a distinct advantage. 

“It gives me huge insight into the way it works. I don’t need to reinvent the wheel in every scene but there are things that I want to explore. The main thing for me was that all the female characters felt a bit secondary, so I am trying to make the relationship between the couples to be more meaningful and integral to the story.

“I also got the cast to watch the Ken Loach film Raining Stones. It was the film that inspired the Full Monty – they wanted to make a film that Ken Loach characters would watch. I think that’s one of The Full Monty’s strengths and it is unbelievable how relevant that film and our show feels now; payday loans, unemployment and anger at society. But also comedy is what Northerners use to get by. The financial situation the characters find themselves in is desperate, but that mix of comedy and relatability makes the show part story and part party. Ken Loach meets Cabaret! But it is celebratory and it works better on stage because the audience become part of the scene. The guys stripping at the end feels like a defiant gesture and the crowds go wild!”

More laughter from the others as they recall stories of audiences in different towns and cities, but they all agree that it is the most gratifying audience reaction they have ever witnessed. 

“I can’t imagine that I will ever experience that kind of response from an audience again. You can actually feel the sound wave hit you and it is wonderful. I really want to earn that and for the audience to buy into the story,” says Rupert.

The last word goes to Gary: “There is no better show on the road. Come along and I’ll prove it to you.”

That sounds like a challenge, Mr Lucy. And one that I am delighted to accept.

The Full Monty runs at Darlington Hippodrome from Monday 12 to Saturday 17 November.

For more information or to book call 01325 405405 or visit www.darlingtonhippodrome.co.uk