Sunday, 15 July 2018

Theatre Review - HAPPY HOUR - GALA THEATRE, DURHAM



In a grey Orwellian office – in what feels like a dystopian future – the four workers of Level 3 strive to meet their daily target of acquiring smiley faces. They’re constantly watched by CCTV cameras to check that they’re all as happy as their customers, and if they don’t do their jobs there’s the occasional threat of being put back on the streets where they came from, living with “mice in their pockets”.

Although it may not sound like it, Happy Hourby Tmesis Theatre is a hilarious piece of physical theatre that explores the “happiness industry” where happiness is packaged and sold to us. But the question is, can we really be happy all the time? 

We join the employees of Level 3 on “Employee Simplification Day” – a magnificent euphemism for firing a few people. The team’s daily target of three smiley faces is suddenly increased to five and it’s all hands on deck. I wasn’t entirely sure how the workers acquired the smiley faces and logged people’s happiness, but this didn’t really matter. When they make a customer happy they get a smile on the board. 

This scenario paved the way for some incredible physical sequences that made Happy Hoursuch a joy to watch. The talented cast of four pulled off these beautifully choreographed pieces with aplomb. There’s an office happiness routine, great dance moves, fantasy sequences including a superb tango between Dave (Charlie Hammond) and New Girl (a diminutive Eleni Edipidi), and a brilliant fight sequence over the misuse of office supplies. The cast utilise multi-purpose boxes on wheels to great effect by using them as desks, taxis and cages, as well as a place to hide props. There’s also great use of voice over and “happy” music – think Pharrell Williams. 

The team manager trying to keep control of this chaos is Adam (Adam Davies), who came across as a David Brent-ish character with the voice of Chris Tarrant. I particularly enjoyed a sequence where he emulates Matthew McConaughey humming the money chant song while pounding his chest in The Wolf of Wall Street. 

He’s awkward and uncomfortable, particularly with Jen (Jennifer Essex), who he certainly wants to be more than friends with even though she obviously can’t stand him. She’s a somewhat disgruntled employee who wants his job and has issues with all of her co-workers. She comes into her own in an enjoyable fantasy sequence where she believes she had been promoted.

The day’s events are made more challenging with the arrival of New Girl who speaks no English. I wasn’t sure if the language she was speaking real but she sounded like a Minion. She takes an instant dislike to Jen but has a mutual crush on sweet guy Dave, who describes himself as a warrior but is a bit clueless. Subjected to a horrible grilling by Adam and Jen who have “been on a course” he becomes unhappy which is of course a problem for the team and there are efforts to cheer him up which lead to an inevitable conclusion.  

OverallHappy Houris an enjoyable 60 minutes of fast-paced physical comedy that demonstrates the futility of trying to be happy all the time. The physical sequences are what really make this show worth watching. Can we really be happy all the time? Watch the show and make your own mind up.

Monday, 9 July 2018

Theatre Preview - HAPPY HOUR - GALA THEATRE, DURHAM




FOLLOWING A SUCCESSFUL 2017 NATIONAL TOUR…

“Expertly choreographed…. Laugh out loud comedy” The Stage
“Hysterical…A show like no other” Urbanista
“Enthralls and intrigues from beginning to end” Made up on Stage
“A performance of spectacle and true quality.” Liverpool Sound and Vision

★★★★★   NorthWestEnd
★★★★★ The Reviews Hub
★★★★★Behind the Arras
★★★★ Liverpool Art Scene
★★★★ Wirral Globe
★★★★ Canal St online

Happy Hour is back on the road..... Have you reached your happiness quota?

A poignant, fast paced, comedy exploring our 21st century obsession with happiness and success. Tmesis Theatre’s new production combines Tmesis’ trademark physicality with humour, music, and text from long-term collaborator Chris Fittock.

The workers on Level 3 are racing against the clock to reach their quota of Smiley Faces, but are they really happy enough?  Can we learn to be happy?  And can our emotions be bought and sold? The ‘happiness industry’ would have us think so...

Tmesis Theatre, based in Liverpool is one of the U.K.’s leading physical theatre companies, with a reach that is national and international. The company produce and tour shows, deliver workshops and outreach work and run Liverpool’s annual international physical theatre festival, Physical Fest.


Winner of ‘Best Choreography’ United Solo Theatre Festival,
New York 2015 (Wolf Red)


Gala Durham
 Wed 11th July- 8pm
Tickets £15/13
https://www.galadurham.co.uk/galapost/happy-hour/
www.tmesistheatre.com | @tmesistheatre #happyhour
Facebook Tmesis Theatre | Instagram tmesistheatreliverpool

Friday, 6 July 2018

Theatre Review - SOME MOTHERS DO 'AVE 'EM - DARLINGTON HIPPODROME







There have been many reincarnations of popular TV shows on stage, some work better than others and most try and play the original actors rather than take the character and develop it. So it was fantastic to find that this was certainly one of those shows where the cast have made it their own.

As soon as the theme tune begins we are transported back to a golden age of comedy and it is Joe Pasquale who brings his own unique style to the character of Frank Spencer, but still wearing the trademark coat and beret.

Written and directed by Guy Unsworth, who has created it so that if you have never seen the TV show you would just feel you were watching a traditional farce. Fast and furious is the only way to describe the script, well-paced, many laugh out loud jokes and plenty of slap stick. The physicality produced on screen is partly reproduced through a technical set, which is full of surprises.

The rest of the cast Sarah Earnshaw as Betty, Susie Blake as Barbara, Moray Treadwell as Terry, David Shaw-Parker as Father O’Hara and Chris Kiely as Desmond were all brilliantly cast in the roles.  

Confusion and misunderstanding runs throughout this superb evenings entertainment.

Runs until Saturday 7th July.

Monday, 2 July 2018

Preview - SOME MOTHERS DO 'AVE 'EM - DARLINGTON HIPPODROME


QUITE FRANKLY… IT’S NOT TO BE MISSED


This is a public health warning: Joe Pasquale is on his way to Darlington to star as Frank Spencer in the current UK tour of Some Mothers Do ’Ave ’Em which runs at Darlington Hippodrome from Tuesday 3 to Saturday 7 July.

People of a certain age will instantly recognise the quirky theme tune – the title of the show played out in Morse Code on a piccolo. They will also remember the amazing stunts – that roller-skating scene, the angel Gabriel ruining the nativity play and the stage set collapsing, missing Frank by inches. Memories of watching the most successful TV sitcom of the 1970s have been embedded in the minds of a generation.

Now you can re-live those evenings huddled around the television with the family as Some Mothers Do ’Ave ’Em comes to Darlington Hippodrome starring Joe Pasquale as the loveable but accident-prone Frank Spencer. Starring alongside Joe is Sarah Earnshaw (Casualty, Spamalot, Wicked) as Frank’s long-suffering wife Betty and Susie Blake (The Victoria Wood Show, Coronation Street, Wicked) as Frank’s disapproving mother-in-law, Mrs Fisher.

This new stage production of the much-loved family comedy classic has everything you would expect to see in one of the episodes on TV. It is quite simply two hours of quick-fire comedy, misunderstandings, physical stunts, too much prune wine and a whole host of belly-laughs.

Hilarious mishaps and DIY disasters bring the house down, quite literally. Betty has some exciting news for Frank, but he’s preoccupied by possible new-found fame as a magician. With guests arriving for dinner and crossed wires all round, priceless misunderstandings are on the menu.

Some Mothers Do ’Ave ’Em is the ultimate feel-good family night out. The show runs at Darlington Hippodrome from Tuesday 3 to Saturday 7 July.