Theatre Preview - COME ON, JEEVES - PEOPLE'S THEATRE, NEWCASTLE

 Join the People’s Theatre in Heaton this week for a high-spirited comedy full of mischief, mishaps and mayhem!

 

Whilst Bertie Wooster is out of town, his gentleman's gentleman, the inimitable Jeeves, is on loan to the 9th Earl of Towcester. The Earl’s moonlighting as a racecourse bookie has left him indebted to a fearsome big game hunter, and he’s under pressure to sell his crumbling estate to a wealthy clairvoyant.

 

Can the unflappable and ever-resourceful Jeeves save the day for this nice-but-dim aristocrat and retrieve the family fortune?!

 

“M’lord, I realise the situation is grave, but it’s time for the stiff upper lip, and the piece of steel down the spine.”

 

Bursting with Wodehouse’s trademark aristocrats who are larger-than-life and don’t have an ounce of sense between them, this 1920s romp promises to be a sparkling summer treat full of fun, fervour and good humour. And there’s a ghost!

 

Director Matthew Hope comments: “Come On, Jeeves is classic Wodehouse at its best - witty, sharp and character-driven fun. We've had so much delight in exploring his world in rehearsals and we are sure audiences will love it too!”

 

Come on, Jeeves by Guy Bolton and P.G. Wodehouse opens on Tuesday 20 June. Tickets are available from the People’s Theatre Box Office on 0191 265 5020 (option 2) and online at www.peoplestheatre.co.uk

Theatre Review -ABIGAIL'S PARTY - DARLINGTON HIPPODROME

 

ABIGAIL’S Party is well remembered by many for the stage play, which then transferred to television on Play for Today in 1977. Mike Leigh’s comedy play focusing on the manners of a group of people, who hardly know each other and their middle-class lives. Now, delightfully, London Classic Theatre has brought it back to the stage.

The set instantly places us in the late 70’s with a range of G-plan furniture, a drinks cabinet and a record player, with a range of LPs. Beverly, Rebecca Birch, is ready to have a group of friends round for drinks as she places nibbles around the room, including nuts, crisps and of course cheese and pineapple on sticks. The drinks are ready and she’s prepared the music. Her husband, Laurence, Tom Richardson, is an estate agent, he isn’t as interested in meeting up with neighbours, but constantly pleases Beverly, becoming more neurotic in manner throughout the evening. The first guests bring Angela, Alice De-Warrenne and her newly wedded husband, Tony, George Readshaw. They’ve just moved into the street. Alice is excited to meet new friends and certainly enjoys the chance to let her hair down with a few drinks, Tony is very quiet, initially, using one-word answers, he appears very shy, but becomes quicker tempered and irate towards the second half. The final guest is Susan, Jo Castleton, when arriving, it’s clear she was expecting a dinner party, not just drinks and nibbles.

As the drinks flow, the group begin to get to know about each other. Tensions rise, Beverly flirts with Tony, music comes and goes. Topics cover music, art and books, as the drinks flow even more and difficult situations ensue.

The cast are exceptional throughout. Its been a while since I have been so captivated throughout. Tom Richardson’s facial expressions and movement, are amazing. Some of the best scenes from Alice De-Warrenne are just sublime. They all clearly work brilliantly together. Making this a must-see production due to the incredible cast.

Abigail's Party runs until Saturday 17th June

Theatre Review - NOT FROM CONCENTRATE - THE PEOPLE'S THEATRE, NEWCASTLE

Written by P.W Sowerby, Not from Concentrate is the winner of the People’s Play Award (a competition run by the People’s theatre to promote up and coming playwrights). You can definitely see what gave it the winning edge. Packed with snappy dialogue and dark humour, the show feels like it has come from the hands of a seasoned pro. We follow a frustrated playwright as he tries in vain to finish his next show. All the while, he is haunted by the success of his first ever script and his inability to write from a ‘real’ place.

 

Will, Lucy, Samantha photo Paul Hood

Director Andrew De’Ath and Assistant Director Katy Thomas crafted a well-timed show that leant into the humour of the situation and brought out the vibrancy of the characters. Steve Appleby designed a simple but effective set which helped to frame the drama in Act Two perfectly, with Andrew Glancey’s lighting design providing the cherry on top of a pristine cake. Jess Chapman, Ben Watkins and Ruth Gibson played the hilarious actors Megan, Gav and Annie as they tried valiantly to make the many re-writes work. Robbie Close played Will, the more successful and slightly sleazy best friend, with excellent timing. Benjamin the playwright, played by Ian Willis, is a droll narcissistic mess, held together by his two female employees, Samantha and Kerry. Ian Willis demonstrated a very well-executed portrayal of the mental anguish that Benjamin had, whilst also drawing great humour from his sarcastic nature. Kerry, who works as his PA, is played by Abigail Martin and pushes Benjamin to be better whilst keeping the audience chuckling at her witty retorts. Emily Jeffrey was confident and relaxed in her role as housekeeper Samantha - you could see Samantha had genuine empathy for Benjamin, despite her frustration with him. Now we come to my favourite character of the show, and one of the People’s theatre’s finest actors, Alison Carr as Benjamin’s batty sister Lucy – she is simply a sensation!

 

Benjamin & Samantha photo Paul Hood

The show is reasonably short, only running for 100 minutes including a 20 minute interval, and contains strong language. A very enjoyable evening out.

 

Not from Concentrate is running at the People’s Theatre from until 10^th June.

Theatre Review - I, DANIEL BLAKE, NOTHEREN STAGE, NEWCASTLE

 

THE film of I, Daniel Blake, directed by Ken Loach and written by Paul Laverty was a hard-hitting film, which politicians claimed it was a work of fiction. Now it has been adapted for the stage by Dave Johns, the actor who played Daniel Blake in the film, now with the posters emphasising ‘This is not fiction.’ Unfortunately, this is still a highly relevant message to audiences today.

The show opens, as in the film, with Daniel Blake, David Nellist, being asked questions such as can he raise his hand? Has he any pets? Which give him a score showing he can work or not. He is in this situation after suffering a heart attack with the Doctor telling him he is not fit to work. The benefit system has other ideas, classing him fit to work. creating hoops, he will need to jump through in order to receive anything. In the benefits office, he meets Katie Jenkins, Bryony Corrigan, and her daughter, Daisy, Jodie Wild. They’ve just arrived in Newcastle and missed her appointment, meaning sanctions may be imposed. A delightfully though unlikely friendship develops, where support is given to each other. Dave Nellist perfectly portrays Daniel as an honest, hardworking man, where Bryony Corrigan shows the proud Katie becoming more desperate as the situation develops and beginning to act out of character. There are lighter moments throughout, though you can feel the audience becoming tense as the conclusion draws nearer. There was a mixture of emotions from the audience, silence, tears and a unanimous standing ovation.

There are some people who will abuse the system and take advantage, but there will be so many more people who are just like Daniel Blake and Katie Jenkins, who are just needing support from the system just to survive.

The current run is already sold out, but it will return to Northern Stage 12^th – 16^th September.