Written by Jessica Swale, Blue Stockings takes us to
Director Sam Hinton has created an intriguing production,
using even the set to create a feeling of uncertainty and obligation – the
characters themselves even have to move the walls, shelves, tables and chairs
between, and within, scenes. The set (designed by Claire Leighton) was simple
but ingenious, with university bookshelves spinning to create different
interiors. The costumes (Julie Tucker and Jenny Davison) fitted the period
nicely and set the tone of each character. The cast is sublime, each actor taking
time to create believable and entertaining, if not always likeable, characters.
I have not enough ink on the page to do justice to each member of the cast. Anna
Dobson is fundamental as Elizabeth Welsh, the College’s Headmistress, as she
fights constantly, making very tough decisions to keep pushing their cause forward.
Ben Ostell as Will neatly conveyed a subtle change in his view of his family
friend Tess and how she is treated by those around them. Luke Newey brought a
wonderful wit to Edwards, even singing a charming ballad; a true natural on the
stage. Sara Jo Harrison as Miss Blake showed the fire of a woman whose will for
freedom could easily see her burned. Kirstie Corfield, as Ms Bott, took a
sympathetic, knowing and humorous view of her charges. Lauren Aspery as Maeve
broke my heart as the scholarship girl who wanted to learn, but ultimately
proved it’s always money that buys freedom to choose. Lauren Allison presented
the strength and humour of early bohemian Carolyn nicely. Ashton Matthews gave
a gentle and subtle quality to the hard working, passionate Celia. Ginny Leigh revealed
the innocence, hope, fire and a burning desire for life in protagonist Tess. An
excellent production.
As the final curtain came, wave after wave of applause erupted as the true weight of this magnificent production sank in and brought forth more appreciation from its viewers.
Blue Stockings is showing at The People’s Theatre running
until 9th March.