Theatre Preview - GOODNIGHT MISTER TOM - PEOPLE'S THEATRE

 

This week at the People’s Theatre in Heaton, Michelle Magorian’s much-loved classic GOODNIGHT MISTER TOM.

 

As World War Two looms, young William Beech is evacuated to the English countryside to stay with elderly recluse Tom Oakley. This unlikely pairing gradually form a friendship, finding that neither are how they first seem.

Since its publication in 1981, Michelle Magorian's hugely successful first novel GOODNIGHT MISTER TOM has sold millions of copies and been translated into multiple languages, as well as being adapted for television starring the late John Thaw.

This stage adaptation by David Wood premiered at the Chichester Festival Theatre in 2011, and went on to win the 2013 Olivier Award for Best Entertainment and Family.

Wood has a hugely successful track record in adapting children’s novels for the stage, his credits including Babe The Sheep Pig, The BFG and The Witches.

In this production at the People’s Theatre, young local actors Dexter White and Nathaniel Campbell are role-sharing the demanding leading role of eight-year-old evacuee William. William is timid and anxious when he first arrives in the village of Little Weirwold, but his friendship with gruff-but-kind Tom (Keith Wigham) helps him to feel safer, and come out of his shell. Life seems perfect until William’s mother devastatingly summons him back to London.

A testament to the enduring power of kindness, compassion and love, Magorian’s GOODNIGHT MISTER TOM has resonated with readers for over 40 years, and this is an opportunity to see this much-loved tale and its characters brought to life on stage.

Tickets are available from the People’s Theatre Box Office on 0191 265 5020 (option 2) and online at www.peoplestheatre.co.uk

Theatre Review - PYGMALION - PEOPLE'S THEATRE, NEWCASTLE

 

Eliza (DaisyBurden), Pickering (JimBoylan), Higgins (Jake Wilson Craw) photo Paul Hood

One of George Bernard Shaw’s classic plays, the iconic Pygmalion tells the tale of flower-girl Eliza Doolittle as she is catapulted from working class poverty into high society. After a bet is made between the rich Professor Higgins and the even richer Colonel Pickering, it is decided that the uneducated ‘guttersnipe’ Eliza will be trained to be a lady. Even though her tutors’ own manners are at times sadly wanting, she is successful. But what then? Where does she fit now. This is a witty show of class and morality.

Higgins (Jake Wilson Craw), Alfred Doolittle (Jack Thompson) photo Paul Hood

Director Tracey Lucas has created one of the best productions I have ever had the pleasure of seeing. I hope to go a second time, if only to see if I missed any details, such as Higgins standing next to his own portrait, mirroring the same pose. Actors moved the larger pieces of set for scene changes as they continued to chat, in character, creating a smooth and extremely elegant switch. The set (designed by Sands Dobson) was just enough to set the scene without being overly complex or intrusive. The costumes (wardrobe Linda Girling, Poppy Carlaw and Luke McVeigh) and wigs (Wiggy), encapsulated the feel of each individual character and added vibrancy to the picture created on the stage with, at times, an almost rainbow-like effect. While lighting (Claire Brissenden) and sound (Kate Scott), were timed perfectly and synchronised effortlessly with the action on stage.

Mrs Pearce (Helen Parker), Eliza (Daisy Burden) photo Paul Hood

The acting was superb from everyone and the Ensemble (Hannah Backhouse, Oscar Errington, Ella McFetrich and Damani Richards) often had me giggling. Alisha Peart and Helen Doyle were charming as mother and daughter Mrs Eynsford-Hill and Clara Eynsford-Hill. Joseph Carss was delightfully dippy as the joyful, lovestruck Freddie. Helen Parker played the stern but kind housekeeper, Mrs Pearce, to full force as she tried to look after Eliza’s best interests. Jack Thompson was sublime as the drole semi-philosopher Alfred Doolittle. Maggie Childs was everything you could want and more as Mrs Higgins - seemly the only woman who can bring her son Henry Higgins to heel. Jim Boylan hit the perfect cord as the gentle and kind Colonel Pickering. Daisy Burden was incandescent as Eliza, managing the difficult task of transitioning her character through the show, from ‘draggle-tail’ to ‘duchess’, while keeping a strong and wilful mind. She showed us all how she, unlike Higgins, is strong because she is capable of evolving and adapting. Jake Wilson Craw is the new standard by which any actor playing Henry Higgins must surely be measured as it’s difficult to see the role being played any better. He hit the sweet-spot of making the character neither too likable nor too disagreeable, and made every action seems so natural.

Truly an astoundingly good show, worth seeing at least twice.

Pygmalion is showing at the People’s Theatre until 22^nd March.

Theatre Review - HANGMAN - PEOPLES THEATRE - NEWCASTLE

 

Harry (Ian Willis) photo Paul Hood

Hangmen, written by Martin McDonagh, is difficult to describe, except to say it deals with dark and disturbing themes in a very sardonic way. You find yourself laughing, whilst also thinking ‘is this ok?’ It’s a little unsettling what subjects can be made ‘funny’. Set in the sixties, we start by watching a man called Hennesey as he seemingly attempts to argue his way out of the noose at the last hour with his protestations of innocence. Hangman, Harry Wade, is having none of it and the job of his hanging is done. Cut to a couple of years later in the now-retired Harry’s pub, the government have abolished hanging and, as the (formerly) second-best hangman in the country, people want to hear his thoughts. The warm mood of the Oldham pub changes as a stranger appears and old colleagues visit. The subject of Hennesey, and the question of his guilt, comes up several times through the show – but was it Harry who took his life or the courts?

Alice (Alison Carr) & Mooney (Craig Fairbairn) photo Paul Hood

Director Matthew Hope has created a thought-provoking and entertaining show that keeps the audience’s attention with its dark ‘gallows’ humour. The music between scenes was a clever nod/link to the actions it bookended as swift scene changes took place. The set, lighting and sound (all designed by Tim Swinton) were nicely detailed and gave an excellent ambiance to the whole production.

Hangmen photo Paul Hood

The whole cast was very strong and all showed excellent skill throughout. Harry, played by Ian Willis, had such perfect timing and showed us the true colours of a pompous man who doesn’t feel the need to question why he thinks something. The chilling, yet charismatic, fast-talking newcomer Mooney, was played by Craig Fairbairn, who was mesmerising as he intimidated and undermined those around him.

The play itself, reflecting the attitudes of the times and handling sensitive themes, is not for the faint-hearted, with some violence, strong language and outdated attitudes on display. That notwithstanding, it’s a very funny, dark and atmospheric play.

Running until 8^th March at The People’s Theatre.