Written by Alan Harris and directed by Natasha Hawes, the
play centres around small-time drug dealer Marc, living in Cardiff. Trying desperately to get his Dad
out of trouble with loan shark Oggy, whilst also avoiding this from his Mum, he
stumbles into Lisa. This is the turning point, where his life goes from hiding the
drugs he grows among tomato plants, and getting annoyed that tomatoes are going
up in price, to the downright surreal. As Marc tells you his tale, you’re drawn
into an unexpected escapade - which even has a seal. There is a satirical
intelligence to the writing of this show that is rare, pointing out that loan
sharks are actually cheaper than most Pay-Day loan schemes. There are subtle
undertones of money being at the root of all problems. Begging the question; in
whose debt do we wish to be?
It’s an energetic, furiously paced, hilarious thrill-ride
through the streets of Cardiff. The feeling of following Marc through surreal
moments in an otherwise normal life is brought out by the crisp timing of the
lighting and sound as they punch the tale’s storyline forward. With Matrix-style
lighting and sound bringing out a whole new dimension to the play’s key
moments. The staging, too, was expertly utilised with four plain boxes managing
to fulfil a multitude of purposes.
Actor Ben Gettins is a solid gold talent. Not only did he
maintain an excellent Welsh accent throughout the show but for nearly sixty
minutes he held the audience in the palm of his hand. From laughter to sadness
to laughter to horror to a seal called Billy, the audience followed along with
delight. Ben Gettins energised the room and despite being just one man, the
stage always felt full.
There are aspects of the show that could be difficult or triggering
to some and strong language is used. However, it’s all used to great effect and
to contribute to an extraordinary show.
Sugar Baby is running at the Alphabetti Theatre until 8th
October. Don’t miss your chance to see such a unique and amusing show it will
remind you why you need theatre.
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