Thursday, 17 November 2022

Theatre Review - STRICTLY BALLROOM THE MUSICAL - DARLINGTON HIPPODROME

 


I’VE never seen the Baz Luhrmann film of Strictly Ballroom and I’ve never watched Strictly Come Dancing, so I must admit I was not sure what to expect of Strictly Ballroom The Musical and if I would really enjoy the evening.

Set in the world of the Australian open amateur ballroom dancing, Scott, Kevin Clifton, is desperate to break out into his own dance steps away from the ballroom’s rules and restrictions. Scott finds Fran, Maisie Smith, to partner with, but his family and friends disagree.

From the start the show is full of pure glitz and glamour all the way. The choreography from the ensemble as expected is slick. Kevin Clifton, as a professional dancer is obviously outstanding, his voice may a surprise from some people but having seen him perform previously, I knew he could certainly perform in all areas. The highlight of the show though is definitely Maisie Smith. She is absolutely incredible the dancing, the acting, but especially the voice – I was mesmerised every time she sang. She has certainly got a future in musical theatre.

The finale was for a little short for me, I’d have loved a long finale reprising numbers from the show, luckily there was still time to be on my feet enjoying the final minutes.

It doesn’t matter if you’re a fan of Strictly or not. You’ll leave the theatre knowing you’ve had an amazing night of entertainment. I can’t wait to see the show again.

Runs until Saturday 19th November.



Friday, 11 November 2022

Panto Preview - ALADDIN - PLAYHOUSE, WHITLEY BAY

 

X FACTOR LEGEND STARS IN WHITLEY BAY 

CHRISTMAS PANTO 2022


This winter, Blue Genie Entertainment will return for its 13th year with a Christmas spectacular at the Playhouse Whitley Bay, bringing the lavish, professional pantomime Aladdin to the Playhouse Whitely Bay. The same creative team that produced last year’s record-breaking Christmas panto, Snow White, will be bringing even more magic and laughter this festive season. 

 

The annual theatrical spectacular will run from 9th December 2022 – 7th January 2023. 



Producer Gary Telfer said: 

“We can’t wait to produce Aladdin this year. It has to be one of the most popular and traditional pantomimes of them all. This year will be our biggest and best year ever, and we are thrilled to have signed X Factor Legend Chico. Chico is one of those people everyone remembers from the X Factor, especially his antics dancing in Ozzy Osbourne’s pool with a live mic. Chico is a fantastic performer, so I’m sure the audience is in for a real treat. We know how popular the Playhouse pantomime was last year. In fact, most of the shows sold out. We are keen to continue building the reputation of the Pantomime in Whitley Bay, which has grown dramatically over the last decade.’’ 



There will be a total of 53 action-packed performances of at the Playhouse, Whitley Bay, from 9th December 2022 – 7th January 2023. The show features a host of top-quality professional performers, including the original X-Factor star - Chico and North Tyneside’s favourite comic (back by popular demand for his 12th year) Steve Walls. Daniel Mawston returns as Patsy for his 4th year and we are also thrilled to be joined by the legendary comedy duo Simmons & Simmons, who plays the Peking Police.




 

Director Simon Barnard said:

“It’s going to be great fun for all the family. Aladdin is a traditional story, and it is our job to ensure the audience gets a great show that has something for everyone. We can’t wait to get started with this Christmas production”.




 

Blue Genie Entertainment spends tens of thousands of pounds on panto each year, and Aladdin is guaranteed to be another spectacular family production. 

 

Producers will bring together a West-End cast, fabulous costumes, and fantastic dance routines, along with plenty of popular songs to please all ages - not to mention a stunning flying carpet sequence!

 

Tickets are on sale now and already selling fast.

Purchase online at www.playhousewhitleybay.co.uk




 

Sunday, 6 November 2022

Theatre Review - STAIRWALL - THE THINGS WE FIND - NORTH SHIELDS

Credit Luke Waddington

A combination of expressive dance performance, visual art and music, Stairwall – The Things We Find is a creative hot pot of styles inspired by the notion ‘Almost too serious’. Produced by Sarah Hudson, it’s an interesting combination of different artistic elements that endeavours to create a connection to the audience. Costume Designer Imogen Cloët placed the artists in primary colours to further illustrate the innate innocence of the piece. A short video plays at the beginning and end by by Luke Waddington and Jeremy Bradfield which gives a feel of a disconnected and odd world we are entering. Artistic Lead and Dance Artist, Esther Huss, brought a child-like wonder to everything as she danced in a balletic style throughout, interacting with the others in the show. Claudia Sacher, a Visual Artist seemed to weave through Esther’s movements with her own art; whether it was creating with chalks and paints, using clay or boxes and string. The final layer is that of Jeremy Bradfield, a Sound Artist and Composer, who seemed to have great fun with his collection of strange and unusual instruments. Objects brought by spectators were donated to be used during the show to the great amusement of all - as items were given an almost Antiques Roadshow treatment and shown reverence by the performers. I wasn’t sure if it was the music influencing the performers or the performers influencing the music but they seemed to live harmoniously with one another. A few things at the very front were easy to miss if you are not on the front row, as due to the nature of the space the floor can be hard to see.

The performance is like half-remembered dream. It is fragmented and doesn’t always ‘make sense’ but then it doesn’t need to. It is a performance that begs for you to come with your mind switched firmly on and bring to it your own interpretations and meaning.

Next performance is 11/11/2022, 7pm, at Knott Memorial Hall, Towne Gate Heddon-on-the-wall NE15 ODT. All the work created during the production will form an exhibit at The Institute in Cambois, 3rd and 4th December, 1pm-3pm.

Credit Luke Waddington

Friday, 4 November 2022

Theatre Preview - SLEEPING BEAUTY - GALA DURHAM

 

Panto preparation gets underway as rehearsals begin

A Durham City theatre is preparing to get into the festive spirit as rehearsals begin for its popular annual pantomime.





Cast and crew came together for the first time for Gala Durham’s Christmas show, Sleeping Beauty.

The production, written by Gary Kitching and directed by Rachel Glover, is a hilarious new telling of the classic story inviting audiences to follow the adventures of Briar Rose as she tries to escape a marriage to poetry-mad Prince Chad of Middles-boroughly.

Meanwhile, having not received an invite from King Archibald of Durham-ion to Briar Rose’s Christening years prior, the Evil Witch Karen has plans to cast a curse which will see the princess sleep for a hundred years.

Sleeping Beauty brings together a North East cast of new and familiar faces to give audiences a panto that truly gets them into the spirit of Christmas.

Returning for his third panto at Gala Durham, Jacob Anderton, who played Robin Hood in last year’s production, will this year play King Archibald of Durham-ion.

Also returning is Lauren Waine, who previously appeared in Snow White and Robin Hood and this year plays Hester the Jester.

Prince Chad of Middles-broughly will be played by Benjamin Storey, who appeared in The Nutcracker Re-Miced at Gala Durham last Christmas, and Chloe Jane Millar plays Briar Rose.

Sammie the Dog will be played by County Durham actress Jude Nelson, who recently appeared in A Way Home, and Steve Byron, an actor with 35 years of working in theatre in the region, will play the Nanny.

Having previously appeared in Alan Bennett’s Talking Heads and more recently Brassed Off at Gala Durham, Zoe Lambert rounds off the cast, playing the Evil Witch Karen.

Cllr Elizabeth Scott, Durham County Council’s Cabinet member for economy and partnerships said: “With rehearsals now underway for our pantomime, it is officially time for the festive season and we are really excited to welcome audiences to Gala Durham to see this fantastic show.

“We are proud of our commitment to showcasing the brilliant local talent we have through our Christmas shows and we are delighted to be putting forward an all North East cast. Our Gala Durham pantomime is a key event in the vibrant Christmas programme we put together each year, aligning with our ambition of being the culture county.”

Also starring in the production will be an ensemble cast including James Carson, Rebecca Cunningham, Ebonie Fletcher, Olivia Jones, Eleanor Monaghan and Harvey Morris

Sleeping Beauty is just one of the many cultural events taking place in the county this year, cementing Durham’s position as the ‘culture county’ and demonstrating the county council’s ongoing commitment to culture-led regeneration. This includes delivering key projects within the county’s shortlisted UK City of Culture bid; progressing major capital projects and raising the county’s profile as a fantastic place to live, work, visit and invest.

Rehearsals will continue for the production ahead of opening on Wednesday 23 November, from when it will run until Sunday 8 January.

Tickets are priced from £7, with family discounts available, and can be purchased by calling the theatre’s Box Office on 03000 266 600 or online at www.galadurham.co.uk

Wednesday, 2 November 2022

Theatre Review - A MIDSUMMER NIGHT'S DREAM - NORTHERN STAGE - NEWCASTLE

 

Nadine Shah , Titania - Photo credit - Patch Dolan 

It’s Shakespeare, but not as you know it! If you like Shakespeare, see this for an interesting take - an almost Punk Rock version. Different, but with purpose, this production has it own, occasionally rude, voice. If you hate Shakespeare, see it anyway! This is a show that will change hate to love without even the need of a purple flower; maybe a pizza instead? All the usual elements are there: Elizabethan costume, the characters, the storyline, the Bard’s sage words, but something else is hidden in this production - it is the beating heart of theatre and all the possibilities it holds. Created by Not Too Tame in collaboration with Shakespeare North Playhouse, Director Matthew Dunster and Co Director Jimmy Fairhurst have made a show that is innovative, eerie, entertaining, rude, raucous, powerful, but above all else magical.

 

Tyler Dobbs and Rebecca Hesketh Smith - Demetrius and Hermia -
Photo credit Patch Dolan

The story is the same: we have proud Titania, Queen of the Fairies, arguing with jealous Oberon. The Rude Mechanicals rehearsing their show for Theseus’ wedding, unaware of a magical presence. The confusion of the four lovers lost in the wood as Puck meddles, unseen. However, the modern element added into this show by its creator makes it so much more inviting. Characters swear often and break the fourth wall. The immersive feeling of the show is added to by actors popping up from all directions. The stage looks simple, but the moment the show gets going you realise how complex it must be and yet how natural it is made for the cast. The production plays with the way characters behave and uses the four-hundred-year-old lines to affect a very modern point. By having Oberon as a voice recording by David Morrisey it gives a distant and foreboding feeling to the dark presence who controls, unseen. The fairies are more dark and gothic rather than sparkly and with the addition of sinister music it gives a definite feeling that this other realm is not a place in which you should tarry. The lovers bring the reality of heartbreak and friendships betrayed, whereas the Rude Mechanicals make it feel almost like a merry panto for you to join in. The entire cast and crew seem extraordinarily talented. The occasional use of sign language reminds you to really focus on what is happening not necessarily just what is said. Puck, played Louise Haggerty, is brilliantly underplayed, watching those around them and reacting quietly to the effects. The most interesting part was the true reactions from Titania, played by Nadine Shah, as the play unfolds. Not just a wonderful singer, but an extremely powerful actor. Bottom, played by Jimmy Fairhurst, is a riotous performer and, along with his fellow Mechanicals, sets energy levels very high. I must ask - is Shakespeare allowed to be this much fun? 

I entreat you - see A Midsummer Night’s Dream now; it is theatre that reminds the soul to fly.

A Midsummer Night’s Dream is showing at Northern Stage until the 12th November.