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| Johnny (Sam Burrell) & Judy (Kay Edmundson) photo Paul Hood |
Written by Laura Wade, ‘Home, I’m Darling’ is an enigmatic
dark comedy that questions gender roles in a ‘normal’ marriage; how and why they
have changed over the years. The story follows Judy, who (with the support of husband
Johnny), is trying her best to live as a ‘fifties’ housewife. It’s a truly
fascinating play that certainly seems relevant in a world full of ‘Trad Wife’
influencers. The audience was completely enwrapped as they watched joy turn
into private horror as the ‘perfect’ marriage begins to crumble under the
weight of an unsatisfying illusion.
Director Eileen Davidson presents a beautiful vision for the
play. Transitions were not only swift, but magical - as performers danced
(choreographed by Kaila Moyers and Jonathan Goodman) through and into the following
scene. Particularly in the first half, it plays out like a series of dream
sequences, adding to the idea that living in the fifties is a fantasy. Sound
(Kate Scott and Aleks Carver), Lighting (Xander Burbidge, Robbie Close, Kirstie
Corfield and Jez Corfield), Props (Rye Mattick, Ashlyn Brook, Helen Parker and
Karen Elliott) and Wardrobe (Jenny Davison and Luke McVeigh) all displayed
masterstrokes of care and attention that added to the perfection of the play.
The audience was welcomed in with the blare of fifties rock ‘n’
roll music, giving everyone a chance to appreciate the set. Ah, the set! A
complete 1950s style two-story house, designed by Kaila Moyers with such attention
to detail I heard a lady say “I want that kitchen!”
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| Sylvia (Jo McEvedy) & Fran (Steph Moore) photo Paul Hood |
As to the cast, it was extremely well performed by all. Excentric
mother Sylvia (Jo McEvedy), tries to point out why no one lives – or should
want to live – in that era anymore. The sleek and stylishly-modern Alex (Sara
Jo Harrison), tries to be polite and professional through some very eccentric
nibbles. Fran (Steph Moore), was warm, understanding, amusing and very
apologetic as Judy’s slightly sweary friend. Marcus (Sam Hinton), was endearingly
funny despite his role having such dark and creepy undertones. Johnny (Sam
Burrell), and Judy (Kay Edmundson), were both very likable characters with
great chemistry. The portrayal of their characters and their emotions was
faultless. Kay Edmundson, in particular, deserves an award not just for her
stunning performance but also for rarely leaving the stage all evening.
A dramatic, yet warm and funny show; not to be missed.
Home, I’m Darling is showing at The People’s Theatre, until the
4th October.
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&Fran(StephMoore)_photoPaulHood.jpg)
The lead performance, her mother and the set were wonderful, but the play was scattershot with lots of boxes ticked, not to say shoehorned in. It's difficult to believe that a woman who had led her own department would be so bad at her financial affairs, never mind feeling the 1950s was her safe space. It lacked any real wit and the humour, what there was, was forced. Honestly, I thought it was the worst play I've seen at the People's since Jekyll and Hyde, although there you has some awkward performances and clumsy sets.
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