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Stepping into The Georgian Theatre Royal for this year’s
pantomime, Cinderella, feels like entering a perfectly preserved festive
tradition — one that has been polished, sparkled, and joyously supercharged for
the 2025–26 season. Running until 10 January 2026, this year’s production
carries a fresh burst of energy thanks to a largely new cast and the creative
leadership of Jake and Jo Mawhinney, who not only penned the script but also
see Jo taking the helm as director.
One of the production’s most delightful quirks comes from
the Ugly Sisters — Griselda (Joshua Payne) and Luretia (Aiden MacFarlane) — who
double as the show’s musicians. Bursting up from the orchestra pit with
impeccable comic timing.
Cinderella, played by Lucy Booton, shines with a beautifully
controlled singing voice and warm stage presence. Dan Crookett is perfectly
wicked as the Stepmother, inspiring hearty boos at every opportunity, while Sally
Ann Staunton brings gentle charm and sparkle as the Fairy Godmother.
Buttons, performed by Matthew Fordy, and Prince Charming,
played by Jack McGarry, maintain the show’s momentum with upbeat energy and
easy rapport with the audience.
A personal highlight was the surprise appearance of Cinderella’s father, played by Domonic Goodwin, who joins the action through a video call. As one of my all‑time favourite Dames, it was a treat to see him — even if only via screen.
This Cinderella has everything audiences have come to
love about Richmond’s pantomime tradition: big laughs, catchy songs, local
jokes, plenty of audience participation, and, of course, the beloved rituals of
throwing knitted items onto the stage and trying to catch a flying Tunnock’s
Teacake.
A sparkling, joy-filled production that captures the magic
of pantomime perfectly — and keeps the Georgian Theatre Royal tradition alive
in style.
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