Theatre Review - MIDSUMMER MURDERS - DARLINGTON HIPPODROME

 

The very first story—The Killing at Badger’s Drift, originally seen on television in 1997—has been brought to the stage in this new adaptation of the much-loved Midsomer Murders. The play introduces audiences to the seemingly quiet village of Badger’s Drift, where beneath its calm exterior lies a web of secrets, intrigue and murder.

The story follows DCI Tom Barnaby and Sergeant Troy as they investigate the suspicious death of an elderly villager. When concerns are raised that her death may not have been natural, the case unfolds through a series of clues, red herrings and further deaths. With its fair share of eccentric residents and unexpected turns, this classic whodunnit keeps the audience guessing throughout.

Daniel Casey, well known for his long association with the television series, leads the cast as Barnaby with quiet authority, while James Bradwell provides strong support as Sergeant Troy. The pair work well together and carry the investigation convincingly.

The remaining five cast members take on multiple roles, moving quickly between characters with skill and clarity. Their performances bring energy to the production and help create a lively picture of village life.

One of the more pleasant surprises of the evening is the humour, which adds lightness to the story and balances the darker moments without detracting from the mystery.

The set is well designed, with locations moving smoothly into place, and is supported by effective sound and lighting that help maintain the atmosphere throughout.

Overall, this stage adaptation makes for an enjoyable evening’s entertainment, successfully capturing the spirit of the much-loved series while offering something fresh for theatre audiences.

Midsomer Murders runs until Saturday 22 May at Darlington Hippodrome.

Theatre Review - GLORIOUS! - DARLINGTON HIPPODROME

 

Glorious! tells the true story of the flamboyant American socialite Florence Foster Jenkins, portrayed by Wendi Peters, who was dubbed as “the worst singer in the world.” Despite her lack of musical ability, Florence is completely devoted to her passion for singing and is determined to perform for audiences.

With her considerable wealth, she stages her own concerts and carefully fills the audience with supportive friends. Allowing her to remain unaware of how off-key she is and how remarkable her performances are.

At her side is her loyal accompanist, Cosme McMoon, played by Matthew James Morrison. Although he is painfully aware of Florence’s lack of talent, he stays with her out of both necessity and growing affection. Over time, the two develop an unlikely but touching friendship, built on trust, kindness, and shared experiences.

Wendi Peters delivers a perfect performance as Florence Foster Jenkins, an absolutely incredible showcase of her talent. She brings every nuance of the role to life, expertly using comedy, timing, and wonderfully expressive facial reactions to capture the character’s eccentric charm. Her voice is delightfully unique, reminiscent at times of a Hyacinth Bucket-style grandeur, adding an extra layer of humour and affection to the portrayal. Peters commands the stage with a striking physical presence, filling it with energy, warmth, and confidence, truly embodying Florence in every moment.

Cosme McMoon perfectly complements Wendi Peters’ performance as Florence. His portrayal subtly emphasises the comedy throughout, while also adding an extra layer of depth to the relationship between the characters. Through his reactions and understated delivery, he enhances the humour without overshadowing Florence, creating a balanced and engaging dynamic on stage.

You may never have heard of the American socialite Florence Foster Jenkins, but if you want to witness a masterclass performance from Wendi Peters, this is a must-see show.

Runs until Saturday 16^th May at Darlington Hippodrome.