Panto Review - GOLDILOCKS AND THE THREE BEARS - PEOPLE'S THEATRE - NEWCASTLE

Steve Robertson photo by John Brown

You might think Goldilocks and the Three Bears is a thin premise for a pantomime. It is, but with many lewd jokes, bad jokes, Dad jokes, dances, songs, general panto tropes and tricks, the People’s Theatre have created a full-blown theatrical extravaganza. Written by Tom Whalley, the story follows a family circus, trying to make ends meet to pay the rent. They end up enlisting the help of the three bears and all seems to be going well. However, when the evil Ringmaster Heinkel gets involved, things go badly wrong and the happy ending is in jeopardy.

 

Molly Winton (Goldilocks) & Chorus photo Jess Chapman

Director Pamela Birleson has created a production that forces merriment into every aspect. One of the greatest and strongest features of this production is its group dances, expertly choreographed by Julie Bowman. The dancers fill the stage with a diversity of movement and sparkle. Musical Director Jonathan Goodman has a good selection of fitting and fun songs to work with, which highlights the joy of the show. What truly makes the stage shine with delight are the Adult Ensemble, Babes and Children’s Chorus who were clearly enjoying every moment of their time on stage. The feeling was quite infectious! Speaking of infectious – Snot, played by Rachel Potts, had the audience going ‘aww’ for the poor side-kick. The evil Ringmaster Heinkel was played by Ian Willis with such malevolent intent he seemed to even hate the pantomime he was in! Fear not, because the harmonious Emily Jeffrey as Mystic Sharon is here to thwart his plans. With Sharon’s help, the joyful Bear family of Jonathan Goodman as Daddy Bear, Kaila Moyers as Mummy Bear and the very sweet Abbie Martin as Baby Bear, ensure that the show goes on. Eileen Davidson as Colossus and Stewart Dives as Mystical Keith will have you chuckling as they show their acts. Mike Smith brings a lot of strength of character to the role of Baron Wasteland. Molly Winton is a delight as the loveable Goldilocks, who charms us all. Steve Robertson is the bawdy Dame Gertie Dollop, bringing mirth and delivering questionable jokes with flair. Callum Mawston is a comedic tour de force as the hilarious and well-meaning Silly Billy. This show could get laughter from a stone.

 

Ian Willis (Heinkel) & dancers photo Jess Chapman

There were times the show suffered from a few sound issues, leading to odd noises or talented singers sounding a little flat. However, in such a big production with so many different threads being twisted together, there was bound to be the odd hiccup on opening night. Goldilocks and the Three Bears is a great night of fun for all ages with plenty of jokes to make you chuckle. Get down to the People’s Theatre before you miss a truly great Pantomime.

 

Goldilocks and the Three Bears is showing at the People’s Theatre, 10^th - 18^th December!

Theatre Review - STRICTLY BALLROOM THE MUSICAL - DARLINGTON HIPPODROME

 

I’VE never seen the Baz Luhrmann film of Strictly Ballroom and I’ve never watched Strictly Come Dancing, so I must admit I was not sure what to expect of Strictly Ballroom The Musical and if I would really enjoy the evening.

Set in the world of the Australian open amateur ballroom dancing, Scott, Kevin Clifton, is desperate to break out into his own dance steps away from the ballroom’s rules and restrictions. Scott finds Fran, Maisie Smith, to partner with, but his family and friends disagree.

From the start the show is full of pure glitz and glamour all the way. The choreography from the ensemble as expected is slick. Kevin Clifton, as a professional dancer is obviously outstanding, his voice may a surprise from some people but having seen him perform previously, I knew he could certainly perform in all areas. The highlight of the show though is definitely Maisie Smith. She is absolutely incredible the dancing, the acting, but especially the voice – I was mesmerised every time she sang. She has certainly got a future in musical theatre.

The finale was for a little short for me, I’d have loved a long finale reprising numbers from the show, luckily there was still time to be on my feet enjoying the final minutes.

It doesn’t matter if you’re a fan of Strictly or not. You’ll leave the theatre knowing you’ve had an amazing night of entertainment. I can’t wait to see the show again.

Runs until Saturday 19th November.

Panto Preview - ALADDIN - PLAYHOUSE, WHITLEY BAY

 

X FACTOR LEGEND STARS IN WHITLEY BAY 

CHRISTMAS PANTO 2022

This winter, Blue Genie Entertainment will return for its 13th year with a Christmas spectacular at the Playhouse Whitley Bay, bringing the lavish, professional pantomime Aladdin to the Playhouse Whitely Bay. The same creative team that produced last year’s record-breaking Christmas panto, Snow White, will be bringing even more magic and laughter this festive season. 

 

The annual theatrical spectacular will run from 9th December 2022 – 7th January 2023. 

Producer Gary Telfer said: 

“We can’t wait to produce Aladdin this year. It has to be one of the most popular and traditional pantomimes of them all. This year will be our biggest and best year ever, and we are thrilled to have signed X Factor Legend Chico. Chico is one of those people everyone remembers from the X Factor, especially his antics dancing in Ozzy Osbourne’s pool with a live mic. Chico is a fantastic performer, so I’m sure the audience is in for a real treat. We know how popular the Playhouse pantomime was last year. In fact, most of the shows sold out. We are keen to continue building the reputation of the Pantomime in Whitley Bay, which has grown dramatically over the last decade.’’ 

There will be a total of 53 action-packed performances of at the Playhouse, Whitley Bay, from 9th December 2022 – 7th January 2023. The show features a host of top-quality professional performers, including the original X-Factor star - Chico and North Tyneside’s favourite comic (back by popular demand for his 12th year) Steve Walls. Daniel Mawston returns as Patsy for his 4th year and we are also thrilled to be joined by the legendary comedy duo Simmons & Simmons, who plays the Peking Police.

 

Director Simon Barnard said:

“It’s going to be great fun for all the family. Aladdin is a traditional story, and it is our job to ensure the audience gets a great show that has something for everyone. We can’t wait to get started with this Christmas production”.

 

Blue Genie Entertainment spends tens of thousands of pounds on panto each year, and Aladdin is guaranteed to be another spectacular family production. 

 

Producers will bring together a West-End cast, fabulous costumes, and fantastic dance routines, along with plenty of popular songs to please all ages - not to mention a stunning flying carpet sequence!

 

Tickets are on sale now and already selling fast.

Purchase online at www.playhousewhitleybay.co.uk

 

Theatre Review - STAIRWALL - THE THINGS WE FIND - NORTH SHIELDS

Credit Luke Waddington

A combination of expressive dance performance, visual art and music, Stairwall – The Things We Find is a creative hot pot of styles inspired by the notion ‘Almost too serious’. Produced by Sarah Hudson, it’s an interesting combination of different artistic elements that endeavours to create a connection to the audience. Costume Designer Imogen Cloët placed the artists in primary colours to further illustrate the innate innocence of the piece. A short video plays at the beginning and end by by Luke Waddington and Jeremy Bradfield which gives a feel of a disconnected and odd world we are entering. Artistic Lead and Dance Artist, Esther Huss, brought a child-like wonder to everything as she danced in a balletic style throughout, interacting with the others in the show. Claudia Sacher, a Visual Artist seemed to weave through Esther’s movements with her own art; whether it was creating with chalks and paints, using clay or boxes and string. The final layer is that of Jeremy Bradfield, a Sound Artist and Composer, who seemed to have great fun with his collection of strange and unusual instruments. Objects brought by spectators were donated to be used during the show to the great amusement of all - as items were given an almost Antiques Roadshow treatment and shown reverence by the performers. I wasn’t sure if it was the music influencing the performers or the performers influencing the music but they seemed to live harmoniously with one another. A few things at the very front were easy to miss if you are not on the front row, as due to the nature of the space the floor can be hard to see.

The performance is like half-remembered dream. It is fragmented and doesn’t always ‘make sense’ but then it doesn’t need to. It is a performance that begs for you to come with your mind switched firmly on and bring to it your own interpretations and meaning.

Next performance is 11/11/2022, 7pm, at Knott Memorial Hall, Towne Gate Heddon-on-the-wall NE15 ODT. All the work created during the production will form an exhibit at The Institute in Cambois, 3^rd and 4^th December, 1pm-3pm.

Credit Luke Waddington

Theatre Preview - SLEEPING BEAUTY - GALA DURHAM

 

Panto preparation gets underway as rehearsals begin

A Durham City theatre is preparing to get into the festive spirit as rehearsals begin for its popular annual pantomime.

Cast and crew came together for the first time for Gala Durham’s Christmas show, Sleeping Beauty.

The production, written by Gary Kitching and directed by Rachel Glover, is a hilarious new telling of the classic story inviting audiences to follow the adventures of Briar Rose as she tries to escape a marriage to poetry-mad Prince Chad of Middles-boroughly.

Meanwhile, having not received an invite from King Archibald of Durham-ion to Briar Rose’s Christening years prior, the Evil Witch Karen has plans to cast a curse which will see the princess sleep for a hundred years.

Sleeping Beauty brings together a North East cast of new and familiar faces to give audiences a panto that truly gets them into the spirit of Christmas.

Returning for his third panto at Gala Durham, Jacob Anderton, who played Robin Hood in last year’s production, will this year play King Archibald of Durham-ion.

Also returning is Lauren Waine, who previously appeared in Snow White and Robin Hood and this year plays Hester the Jester.

Prince Chad of Middles-broughly will be played by Benjamin Storey, who appeared in The Nutcracker Re-Miced at Gala Durham last Christmas, and Chloe Jane Millar plays Briar Rose.

Sammie the Dog will be played by County Durham actress Jude Nelson, who recently appeared in A Way Home, and Steve Byron, an actor with 35 years of working in theatre in the region, will play the Nanny.

Having previously appeared in Alan Bennett’s Talking Heads and more recently Brassed Off at Gala Durham, Zoe Lambert rounds off the cast, playing the Evil Witch Karen.

Cllr Elizabeth Scott, Durham County Council’s Cabinet member for economy and partnerships said: “With rehearsals now underway for our pantomime, it is officially time for the festive season and we are really excited to welcome audiences to Gala Durham to see this fantastic show.

“We are proud of our commitment to showcasing the brilliant local talent we have through our Christmas shows and we are delighted to be putting forward an all North East cast. Our Gala Durham pantomime is a key event in the vibrant Christmas programme we put together each year, aligning with our ambition of being the culture county.”

Also starring in the production will be an ensemble cast including James Carson, Rebecca Cunningham, Ebonie Fletcher, Olivia Jones, Eleanor Monaghan and Harvey Morris

Sleeping Beauty is just one of the many cultural events taking place in the county this year, cementing Durham’s position as the ‘culture county’ and demonstrating the county council’s ongoing commitment to culture-led regeneration. This includes delivering key projects within the county’s shortlisted UK City of Culture bid; progressing major capital projects and raising the county’s profile as a fantastic place to live, work, visit and invest.

Rehearsals will continue for the production ahead of opening on Wednesday 23 November, from when it will run until Sunday 8 January.

Tickets are priced from £7, with family discounts available, and can be purchased by calling the theatre’s Box Office on 03000 266 600 or online at www.galadurham.co.uk

Theatre Review - A MIDSUMMER NIGHT'S DREAM - NORTHERN STAGE - NEWCASTLE

 

Nadine Shah , Titania - Photo credit - Patch Dolan 

It’s Shakespeare, but not as you know it! If you like Shakespeare, see this for an interesting take - an almost Punk Rock version. Different, but with purpose, this production has it own, occasionally rude, voice. If you hate Shakespeare, see it anyway! This is a show that will change hate to love without even the need of a purple flower; maybe a pizza instead? All the usual elements are there: Elizabethan costume, the characters, the storyline, the Bard’s sage words, but something else is hidden in this production - it is the beating heart of theatre and all the possibilities it holds. Created by Not Too Tame in collaboration with Shakespeare North Playhouse, Director Matthew Dunster and Co Director Jimmy Fairhurst have made a show that is innovative, eerie, entertaining, rude, raucous, powerful, but above all else magical.

 

Tyler Dobbs and Rebecca Hesketh Smith - Demetrius and Hermia -
Photo credit Patch Dolan

The story is the same: we have proud Titania, Queen of the Fairies, arguing with jealous Oberon. The Rude Mechanicals rehearsing their show for Theseus’ wedding, unaware of a magical presence. The confusion of the four lovers lost in the wood as Puck meddles, unseen. However, the modern element added into this show by its creator makes it so much more inviting. Characters swear often and break the fourth wall. The immersive feeling of the show is added to by actors popping up from all directions. The stage looks simple, but the moment the show gets going you realise how complex it must be and yet how natural it is made for the cast. The production plays with the way characters behave and uses the four-hundred-year-old lines to affect a very modern point. By having Oberon as a voice recording by David Morrisey it gives a distant and foreboding feeling to the dark presence who controls, unseen. The fairies are more dark and gothic rather than sparkly and with the addition of sinister music it gives a definite feeling that this other realm is not a place in which you should tarry. The lovers bring the reality of heartbreak and friendships betrayed, whereas the Rude Mechanicals make it feel almost like a merry panto for you to join in. The entire cast and crew seem extraordinarily talented. The occasional use of sign language reminds you to really focus on what is happening not necessarily just what is said. Puck, played Louise Haggerty, is brilliantly underplayed, watching those around them and reacting quietly to the effects. The most interesting part was the true reactions from Titania, played by Nadine Shah, as the play unfolds. Not just a wonderful singer, but an extremely powerful actor. Bottom, played by Jimmy Fairhurst, is a riotous performer and, along with his fellow Mechanicals, sets energy levels very high. I must ask - is Shakespeare allowed to be this much fun? 

I entreat you - see A Midsummer Night’s Dream now; it is theatre that reminds the soul to fly.

A Midsummer Night’s Dream is showing at Northern Stage until the 12^th November.

 

Theatre Review - AROUND THE WORLD IN 80 DAYS - PEOPLE'S THEATRE, NEWCASTLE

 

Fogg (Roger Liddle) Fix (Sean Burnside) Von Darius (Ruth Gibson) Mrs Aouda (Nadia Rafi-Kenny)
photo Mark Burden

Around the World in 80 Days by Jules Verne, adapted for the stage by Laura Eason, tells the story of the wealthy aristocrat Phileas Fogg, who lives a happy and very predictable life. He frequents the Club to play Whist the same time everyday meeting the same people, never having even ventured out of England. All this changes when someone claims it is not likely that anyone could traverse the world in a mere eighty days. Much to the chagrin of his new valet Passepartout (who was hoping for a quiet life), the pair are swept into an adventure that spans the globe. With so many obstacles thrown in their path, will they make it back to England in eighty days?

Director Mark Burden certainly had a mammoth task on his hands, creating an ever-moving show that follows Fogg’s remarkable journey. The staging of scenes, involving boats, trains and, my personal favourite, an elephant, uses actors and props in an ingenious and fun way. The set, designed by Sands Dobson and Tim Swinton, is a triumph of simple, well-chosen adaptations such as stairs painted to be suitcases. In an interesting touch, open suitcases lie across the back of the stage containing props and costumes for the Ensemble to use as they change roles during the play. They also occasionally watch the show with us, in an almost Brechtian twist. Roger Liddle is superb as the eccentric Phileas Fogg, as he rescues Mrs Aouda, played by Nadia Rafi-Kenny. Moira Valentine is funny, heroic and extremely lovable as Fogg’s valet, Passepartout. Meanwhile, the wily Inspector Fix, played by Sean Burnside, will make you wish it was panto season so you can ‘boo’ his underhand and ungentlemanlike behaviour.

For me the star(s) of the show were the Ensemble (Daniel Magee, Cat White, James Hardy, Jess Chapman, Ruth Gibson, Isabella Warburton Brown, Geffen Yoeli-Rimmer, Alison Carr, Jo McEvedy and Sands Dobson), who wove in and out of each other like a needle and thread. Not only that, they also created the multitude of eccentric characters Fogg encountered along the way, forming an atmospheric background and became a variety of different transportations. The Ensemble swayed with such perfect synchronicity as crew on several ships, I almost felt seasick!

Around the World in 80 Days is well worth the bus fare!

Showing at the Peoples Theatre until 29^th November.

Passpartout (Moira Valentine) Insp Fix (SeanBurnside)
photo Mark Burden

Theatre Preview - A Midsummer Night’s Dream, Northern Stage

 A Midsummer Night’s Dream by William Shakespeare

29 October - 12 November 2022, Northern Stage

 David Nellist - Thesus - Photo credit Patch Dolan

A riotous new production of A Midsummer Night’s Dream directed by Matthew Dunster and co-directed by Jimmy Fairhurst was the first Shakespearean inspired production to be staged in the Cockpit Theatre at groundbreaking new venue Shakespeare North Playhouse in Prescot, Merseyside.

Featuring the voice of BAFTA nominated actor David Morrissey as Oberon, and Mercury nominated singer-songwriter Nadine Shah making her theatre debut in the role of Titania, the show opened to rave reviews. 

Nadine Shah - Titania - Photo credit - Patch Dolan

This anarchic production of one of Shakespeare’s best loved plays is the first collaboration between Shakespeare North Playhouse, Not Too Tame and Northern Stage, and the creators promise a show that’s to be experienced, not just watched. 

Not Too Tame Artistic Director Jimmy Fairhurst explains, "Most people have seen a version of A Midsummer Night’s Dream but this is a refresh of the real bones, the warts and all of the play. It really speaks to me as a working class person - a full-tilt, full-on night out. We want to see how dark we can go, like Nick Cave dark - imagine a music festival at Banksy’s Dismaland bemusement park - and still maintain all the playfulness and celebration, that sense of fun, excitement and entertainment. It’s anarchic, raucous, great night out theatre and we can’t wait to welcome audiences into our world.” 

Rebecca Hesketh Smith and Company - Hermia - photo credit Patch Dolan

An open call for auditions across Newcastle, Warrington and London received an overwhelming 2000 responses, leading to more than 200 auditions taking place. The final cast boasts a diverse mix of emerging and experienced talent, with several members of the cast making their professional debuts. 

In addition, to ensure the casting process and overall performance was as accessible as possible, this unique production of A Midsummer Night’s Dream integrates the use of British Sign Language throughout. 

Director Matthew Dunster says, “Do I want to direct a show at a brand new Shakespeare theatre in the North West with Not Too Tame and a load of other working class heroes. OF COURSE I DO. And do I want to collaborate with Shakespeare and challenge him and be challenged by him and his brilliance. YES. YES I DO. He’s the best and we are going to do everything to bring a brilliant first major Shakespeare to Shakespeare North Playhouse and then take it on to one of my favourite theatrical homes at Northern Stage. What a privilege this gig is.” 

The company is as follows: Andrew Butler, Tyler Dobbs, Tia-Bella Easton, Jimmy Fairhurst, Kelise Gordon, William Grint, Louise Haggerty, Rebecca Hesketh Smith, Kate James, Yazmin Kayani, David Morrissey, David Nellist and Nadine Shah. 

A Midsummer Night’s Dream is co-directed by Olivier-nominated director Matthew Dunster (Hangmen/Royal Court) and Not Too Tame founder and artistic director Jimmy Fairhurst (Palace of Varieties/Derby Theatre). Set and costume design is by Linbury Prize-winning designer Jen McGinley who has worked with the New Diorama, Derby Theatre, Northern Stage, the Royal Lyceum and the National Theatre of Scotland. Sound design is by Tony and Olivier award-winning Ian Dickinson whose credits include Jerusalem for the Royal Court and The Curious Incident of the Dog in the Night-Time for the National Theatre. Lighting design is by Sally Ferguson (Richard III/Perth Theatre), choreography is by Chi San Howard (Corrina Corrina/Headlong and Liverpool Everyman), fight director is Kevin McCurdy who has worked for the Young Vic, Kiln Theatre, ETT and Lyric Hammersmith, Zoe Murtagh is Associate Director and Claire Bleasdale is Casting Director. 

Louise Haggerty -Puck - Photo credit Patch Dolan

“For anyone who thinks Shakespeare isn’t for them, there is literally no better company than Not Too Tame to make you reconsider - I fully expect to fall back in love with the Bard and I am hyped to be co-producing A Midsummer Night’s Dream with them and Shakespeare North Playhouse. It’s going to be wild!”- Northern Stage Artistic Director Natalie Ibu.

A Midsummer Night’s Dream premiered at Shakespeare North Playhouse in Prescot (22 September - 22 October) before transferring to Northern Stage (29 October - 12 November). 

For more information or to book tickets visit northernstage.co.uk

Theatre Preview - STAIRWELL - THE THINGS WE FIND, TOUR

Moving dance tribute to the North East’s heritage,

Stairwall – The Things We Find by Esther Huss,

reinvigorates industrial communities

Inspired by the notion of ‘almost too serious’, Stairwall - The Things We Find, is a playful exchange of dance, visual art, and music, which holds the beauty of the North East, and the stories communities offer at its core. From Dance Artist Esther Huss (ABOUT US, MAO Gallery; Faust & Turandot, Royal Opera House; Trinkets, Tate Britain) comes a new ever-changing visual piece, exploring how residents connect through their local communities. The North East has become a catalyst for German-born Esther’s work, reminding her of the local values instilled in her upbringing and the tight-knit sense of neighbourhood kindness she grew up with.

Collaborating alongside visual artist Claudia Sacher (Breath of my Garden, Gibside; Minor Injury, Healey; Marking Time/ Tritt Auf der Stelle, Museum Folkwang Essen), and sound artist Jeremy Bradfield (The Snow Queen, Northern Stage; Tyne Rising, Newcastle Puppetry Festival; The Tin Foil Astronaut, Kitchen Zoo), Huss creates a blend of creative energy; each art form draws from the other to form a physical manifestation of the North East. Backed by Bradfield’s improvised score, Sacher creates art on the set: a largescale wall that can be climbed on or revolved depending on how the tension in the performance rises. Huss works in tandem with the score and art, feeding off the constantly changing atmosphere to create a dance that will never be the same routine twice.

Before each Stairwall performance, Huss and her collaborators will lead workshops with a local community group, including primary schools and youth groups, which will influence the direction of her performance. As well as this unique chance to engage with the performance in advance, audiences will be encouraged to bring an item that they feel represents their community to inform and inspire the performance.

Workshop groups contribute their own experiences of growing in these communities, rooting Stairwall as a space in which an audience becomes familiar and can connect with their heritage. Esther’s practice puts a large focus on emphasising unusual and underused spaces. Stairwall features a National Trust site, a village hall on the edge of Hadrian’s Wall, a local mining institute, and a functioning timber merchants in the heart of North Shields. Placing performances in these spaces ignites the history that the venues hold in the North East, combining contemporary audiences' experiences with the stories that precede them.

Esther comments, I want to show those moments of truth that audiences can connect with. Stairwall allows an audience to bring their own experiences, dreams, fears, and hopes to the piece. By taking it to their communities in the North East we root it in a space they’re familiar with and they can connect with it even more. It’s magic.

Stairwall is made possible with funds from Arts Council England, Dance City, and Northumberland County Council, leading organisations in the North East focusing on cultivating Northern artists’ work.

 Friday 28th October, 7pm 1st Floor, Cambois Miners Welfare Institute, Ridley Terrace,

Cambois, NE24 1QS

Sunday 6th November, 1pm Percy A. Hudson LTD, Timber Merchants, Borough Sawmills,

Northumberland Street, North Shields

Sunday 6th November, 4pm Percy A. Hudson LTD, Timber Merchants, Borough Sawmills,

Northumberland Street, North Shields

Theatre Preview - AROUND THE WORLD IN 80 DAYS - PEOPLE'S THEATRE, NEWCASTLE

 

Join the People’s Theatre on an action packed globe-trotting adventure next week!

In Victorian London, the fabulously wealthy Phileas Fogg accepts a wager challenging that he can’t circumnavigate the globe in just eighty days. 

Along with his hapless valet Passepartout, the unflappable Fogg immediately sets out on a high-spirited escapade that takes them from the damp streets of London through far-flung outposts and on to the Wild West.

Along the way the pair rescue Mrs Aouda, and the trio must race against the clock on a dizzying succession of trains, steamboats, a wind-propelled sledge and even an elephant! 

And all the while, Scotland Yard’s finest Inspector Fix is hot on their heels, believing that Fogg is a thief on the run!

An ensemble of nine performers play over forty characters, from gentleman to street-sweeps, consuls to cowboys! All there to help – or hinder – Fogg and friends on their journey.

This celebrated adaptation by Laura Eason of Jules Verne’s classic 
AROUND THE WORLD IN 80 DAYS harks back to Hollywood adventure films of the 1930s and 40s. 

It's a madcap ride packed with colour, invention and music, and is the perfect half-term treat for all ages! 

And so younger intrepid travellers can join in, they’ve added an afternoon performance on Saturday 29th.

Director Mark Burden comments: “We have had the most wonderful adventure creating this production and we really hope you can come aboard with us to have fun going around the world in 80 days!”

AROUND THE WORLD IN 80 DAYS is playing at the People’s Theatre in Heaton from Tuesday 25th to Saturday 29th October. The running time is approximately 2 hours (including an interval). All details and booking at www.peoplestheatre.co.uk

Theatre Review - SPIKE, DARLINGTON HIPPODROME

 

Spike, written by Ian Hislop and Nick Newman has delightfully brought the comedy of Spike Milligan to Darlington Hippodrome. Many younger members of the audience, under 60, may not be aware of the life of Spike Milligan, but of course will probably know of his comedy writing for The Goon Show. Spike developed The Goon Show in the 1950s, as it quickly became one of the highlights for families to gather around the radio, enjoying his madcap comedy writing and performances from Harry Secombe and Peter Sellers, who soon found fame. Spike though, had many struggles from his time in the trenches, Hitler and his disputes with the BBC.

The show begins with Janet, Margaret Cabourn-Smith, in the BBC recording studio introducing us the unusual everyday objects used as sound effects before explaining recorded sounds are about to take over. Robert Wilfort expertly portrays Spike as the writer and comedian showing how his torment from the war and fighting with the BBC, leading him to be hospitalised. Patrick Warner as Peter Sellers and Jeremy Lloyd as Harry Secombe perfectly portray the comedy loved by so many.

This is one of those shows where the audience will laugh loudest and have the most fun, when they are a Spike Milligan and Goon Show fan, but it’s worth going to appreciate the clever script, incredible cast, great staging and learning about the history of Spike Milligan and The Goon Show.

Theatre Review - THE GOOD LIFE, PEOPLE'S THEATRE, NEWCASTLE

Based on the TV series by John Esmonde and Bob Larbey, adapted for the stage by Jeremy Sams, the classic seventies sitcom comes to the People’s Theatre. Tom and Barbara choose to leave the rat race behind them and turn their suburban home into their own self-sufficient farm. They grow their own vegetables and keep animals in the back garden, much to the chagrin of social-climbing neighbours Margo and Jerry. Fans of the original show will note differences to the storyline and ending - to be expected with an adaptation; overall the show carries onto the stage very well.

 

Director Steve Hewitt manages to keep the heart of the show, bringing out humour and compassion at each turn. In many ways a story of its time, with the ‘expectation’ of flirting between men and women, it’s also a story that will always be relevant, with the dream of a self-sufficient future away from the norm. The show is a little slow to get going but when it does it’s a cheerful romp through this life-less-lived. The production gently encourages you to pause and take stock of your own life, whilst also being a reminder that drinks with friends is always a good idea. The set (designed by Alan Potts) was a simple but effective split between the two very different houses of the couples. Sound (designed by Kate Scott) and lighting (designed by CJ Zangerle Murray, Phil Bradley and Tim Swinton) added to the action and helped set a smooth pace. The crew operating scene changes were highly effective and swift. However, there were a few occasions when the audience was left twiddling its collective thumbs as actors went off set to change. The costumes (Dianne Edwards) also helped set the era of the piece, with Margo exhibiting some truly fabulous dresses.

 

The whole cast created a magnificent performance, with goat Geraldine (Pippy) causing hilarious havoc after escaping. Margaret (Molli Lloyd-James) provided humour as Sir’s secretary. Mary (again, Molli Lloyd-James) and Policeman Frank (Charlie Hope) had an amusing moment where their eyes met over a home-made pig ventilator - with Dr Joe (Steve Strouzer) charmingly bemused by the situation. Milkwoman and Harriet the Pig Lady (both Rosa Cole) brought some wry humour to the feast. Andrew Ferguson, or ‘Sir’ (Pete McAndrew), left us smiling as he continually forgot Tom’s name, while his wife, Felicity Ferguson (Nicky White), had the audience howling with her dance moves. The main four could not have been better cast, with a clear chemistry between the lovers and friends that flowed from the stage like peapod wine. Margo Leadbetter (Sarah McLane) managed to be kind and slightly offensive at all times. Jerry Leadbetter (Mark Buckley) hit the right note as the man in charge in the boardroom, but not in his own home. Tom Good (Stuart Laidler) and Barbara Good (Ellie Pullen) gave the enchanting impression, in each scene, that as they moved towards their goal, they moved closer to each other.

 

Cheeky, charming and lovable, put simply this show is ‘The Good Life’.

 

Showing at the People’s Theatre until 8^th October.

Theatre Review - SUGAR BABY - ALPHABETTI THEATRE - NEWCASTLE

 Written by Alan Harris and directed by Natasha Hawes, the play centres around small-time drug dealer Marc, living in Cardiff. Trying desperately to get his Dad out of trouble with loan shark Oggy, whilst also avoiding this from his Mum, he stumbles into Lisa. This is the turning point, where his life goes from hiding the drugs he grows among tomato plants, and getting annoyed that tomatoes are going up in price, to the downright surreal. As Marc tells you his tale, you’re drawn into an unexpected escapade - which even has a seal. There is a satirical intelligence to the writing of this show that is rare, pointing out that loan sharks are actually cheaper than most Pay-Day loan schemes. There are subtle undertones of money being at the root of all problems. Begging the question; in whose debt do we wish to be?

It’s an energetic, furiously paced, hilarious thrill-ride through the streets of Cardiff.  The feeling of following Marc through surreal moments in an otherwise normal life is brought out by the crisp timing of the lighting and sound as they punch the tale’s storyline forward. With Matrix-style lighting and sound bringing out a whole new dimension to the play’s key moments. The staging, too, was expertly utilised with four plain boxes managing to fulfil a multitude of purposes.

Actor Ben Gettins is a solid gold talent. Not only did he maintain an excellent Welsh accent throughout the show but for nearly sixty minutes he held the audience in the palm of his hand. From laughter to sadness to laughter to horror to a seal called Billy, the audience followed along with delight. Ben Gettins energised the room and despite being just one man, the stage always felt full.

There are aspects of the show that could be difficult or triggering to some and strong language is used. However, it’s all used to great effect and to contribute to an extraordinary show.

Sugar Baby is running at the Alphabetti Theatre until 8^th October. Don’t miss your chance to see such a unique and amusing show it will remind you why you need theatre.

Theatre Preview - THE GOOD LIFE - PEOPLE'S THEATRE - NEWCASTLE

 The People’s Theatre are heading to 1970s Surbiton next week in THE GOOD LIFE!

Over fifty years before we started quiet quitting, Tom and Barbara Good rejected corporate drudgery in favour of new beginnings. While recent years have seen many of us growing our own food and living simpler lives nurturing sourdough starters, the Good’s were the original eco-warriors – swapping the rat race for self-sufficiency, turning their garden into an allotment and installing chickens, pigs and a goat named Geraldine!

It's the good life for them – but not for their next-door neighbours Margo and Jerry Leadbetter who are desperately trying to maintain their snooty status quo.

Following hot on the heels of their hugely successful THE VICAR OF DIBLEY earlier this year, the People’s have established a reputation for bringing small screen classics to their stage.

THE GOOD LIFE by John Esmonde and Bob Larbey ran for four series from 1975 to 1978. At its peak it attracted audiences of 16 million and made TV stars of Richard Briers, Felicity Kendal, Penelope Keith and Paul Eddington.

This theatrical reimagining by Jeremy Sams reunites the well-loved characters and plunges them into hilarious scrapes and escapades! About the show’s 2021 UK tour, Broadway World called it “a feel-good psychedelic 70s trip” while West End Best Friend said it “excels at bringing to life one of Britain’s greatest sitcoms”!

Director Steve Hewitt comments: “This stage version retains all of the original’s charm and wit, whilst balancing the nostalgia with a knowing and more modern perspective. As we watch Tom and Barbara getting to grips with self-sufficiency, armed to the teeth with giant library books and the noblest of intentions, we can easily imagine how much time we’d spend watching YouTube tutorial videos if we attempted a similar feat today! And always the same question remains: could this actually work..?”

THE GOOD LIFE is playing at the People’s Theatre in Heaton from Tuesday 4th to Saturday 8th October. The People’s are offering a reduced-capacity performance on the Tuesday for audience members who prefer a less busy space where mask-wearing is required.

Also in October, the People’s are heading AROUND THE WORLD IN 80 DAYS! In Victorian London, the fabulously wealthy Phileas Fogg accepts a wager of £20,000, challenging that he can’t circumnavigate the globe in just eighty days. Cue a dazzling, madcap adventure which promises to be rollicking good fun for the whole family! All details at www.peoplestheatre.co.uk

Cast:

Tom Good: Stuart Laidler

Barbara Good:  Ellie Pullen

Margo Leadbetter:  Sarah McLane

Jerry Leadbetter: Mark Buckley

Director: Steve Hewitt

This amateur production of “The Good Life” is presented by arrangement with Nick Hern Books.

LISTINGS INFORMATION

The Good Life adapted by Jeremy Sams. Based on the TV series by John Esmonde and Bob Larbey

Date: Tuesday 4 – Saturday 8 October 2022

Includes a reduced-capacity performance on Tuesday 4th

Tickets: £15 (Conc. £13)

Venue: People’s Theatre, Stephenson Road, Newcastle upon Tyne, NE6 5QF

Box Office: 0191 265 5020                    

Website: www.peoplestheatre.co.uk

Theatre Review - THE MIRROR CRACK'D - DARLINGTON HIPPODROME

 

MURDER mystery whodunnits are such a popular format, especially based on the large audience on opening night. When Agatha Christie is involved, you know you have an expert in control of the story, but of course because they can be so well known, you either know the ending or you soon remember once the story begins. This is where the Original Theatre Company with The Mirror Crack’d is able to change the perception. This is a new adaptation by Rachel Wagstaff and she’s taken this story and created a performance with a difference.

The expectation of the set in a living room, with the characters coming in and out, with a murder then a reveal, was far from it and a pleasant surprise. Instead, we jump around from Miss Marple’s home, Gossington Hall and the film set. Moving back and forth in time as the cast act out the recent events Miss Marple is discussing. This gives us a fresh approach and see the whole of the action, rather than just a description. This may take a little time to get used to, but the excellent direction by Philip Franks makes this seamlessly, flowing perfectly. The repeat of a number of scenes, as more is revealed, was especially enjoyable. This also allows us to get deeper into each of the characters.

An incredible cast has been collected together including Susie Blake as a delightful Miss Marple giving us a brilliant mix of the sweet old lady, pretending not to take much notice then showing her forceful character. Her friend Chief Inspector Craddock, Oliver Boot, shows his irritation perfectly towards Miss Marple with a touch of respect. With Marina Gregg, Sophie Ward, and her husband Jason Rudd, Joe McFadden, shows the quality of the casting.

With the quality of The Original Theatre Company, this could be the most perfect murder!

Runs until Saturday 24^th September at Darlington Hippodrome.

Theatre Review - DEMON DENTIST - DARLINGTON HIPPODROME

 

BIRMINGHAM Stage Company have brought the premiere of Demon Dentist by David Walliams to Darlington Hippodrome. They are probably the best theatre company with productions for schools and families and on the first night the children were enthralled throughout.

Alfie, Sam Varley, lives with his father, James Mitchell, who is mainly confined to a wheelchair after suffering from lung disease through his work in a mine. Alfie’s mother has passed away and Alfie is the main carer. Alfie hasn’t been to the dentist for 6 years and has been hiding the letters, when the new social worker – Winnie, Misha Malcolm, insists on taking him to the new dentist, – Miss Root, Emily Harrigan.

Unusual events have been happening with the tooth fairy, instead of money they’ve been finding bats wings, toads and other ghastly items under their pillows. Alfie and his friend Gabz, Georgia Grant-Anderson, have a feeling that something is quite right about the dentist. Raj, Zain Abrahams, the local shopkeeper and Alfie set up a plan to find out what’s been happening leading to danger before the eventual happy ending.

One of the highlights with Birmingham Stage Company is the set, designed by Jacqueline Trousdale, it swiftly changes between scenes with an ingeniously constructed set. The entire cast are excellent, brilliantly choreographed, Paul Chantry and Rae Piper, but my favourite had to be Emily Harrigan creating a delightfully evil Miss Root.

This production is perfect for families of all ages and is now my favourite David Walliams story.

Runs until Sunday 11^th September.

Theatre Review - DREAMBOATS AND PETTICOATS - DARLINGTON HIPPORDROME

 

DREAMBOATS and Petticoats – Bringing on Back the Good Times is the latest in the series of the jukebox musicals for those who love the music from the 60s. With over 30 tracks including a medley from Mark Wynter and a megamix finale, means at times you do wonder if this is really just a show of 60s music, but the story is intertwined perfectly throughout. You don’t need to have seen any of the previous shows as the storylines are all recapped where needed.  

The story may not be the strongest, but follows Laura, Elizabeth Carter, who now is successful as a solo artist. Bobby, David Luke, has returned to St Mungo’s Youth Club where he's re-joined Norman and the Conquests. The adventure of Laura and Bobby take them into different summer seasons with Norman and the Conquests going into a season at Butlins. Later a little bit of Eurovision means the hits keep coming.

Elizabeth Carter as Laura and Joseph Lukehurst as Norman displayed the best vocals in the show, they were incredible every time they sang, showing such a great range. The highlight, though, for me was David Benson as Kenneth Williams, hosting the selection of the song for Eurovision, he was superb, especially with his rendition of ‘Ma Crepe Suzette’.

Bringing on Back the Good Times is a full of energy with excellent choreography. The cast performing the band live, with other cast members joining in with a trombone and saxophones showing an incredibly talented cast. A great night out for all.

Dreamboats and Petticoats runs until Saturday 20^th August at Darlington Hippodrome.